
Details
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Lithograph in black and red, on BFK Rives paper - Hand-signed by artist; from the series of Free South Africa Published by the Edition Schellmann, Munich and New York __ Images: 77 x 96.2 cm (30 3/8 x 37 7/8 in.)__ Sheet; 81.2 x 100.1 cm (31 7/8 x 39 3/8 in.) // Keith Haring's Untitled (Free South Africa #2) from 1985 is a lithograph that forms part of his politically charged series advocating against apartheid. The artwork, rendered in bold black and red, features Haring's iconic cartoon-like figures. A large figure, depicted in black, holds a smaller figure, marked with a red X, by a leash, symbolizing oppression. The surrounding lines emphasize movement and energy, creating a sense of struggle and tension. This piece is a striking representation of Haring’s activism, using his vibrant and accessible style to highlight critical social issues and promote solidarity.
Untitled (Free South Africa #2), 1985
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81 x 100 cm
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Details
Artist
Styles
Lithograph in black and red, on BFK Rives paper - Hand-signed by artist; from the series of Free South Africa Published by the Edition Schellmann, Munich and New York __ Images: 77 x 96.2 cm (30 3/8 x 37 7/8 in.)__ Sheet; 81.2 x 100.1 cm (31 7/8 x 39 3/8 in.) // Keith Haring's Untitled (Free South Africa #2) from 1985 is a lithograph that forms part of his politically charged series advocating against apartheid. The artwork, rendered in bold black and red, features Haring's iconic cartoon-like figures. A large figure, depicted in black, holds a smaller figure, marked with a red X, by a leash, symbolizing oppression. The surrounding lines emphasize movement and energy, creating a sense of struggle and tension. This piece is a striking representation of Haring’s activism, using his vibrant and accessible style to highlight critical social issues and promote solidarity.
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Inquire For Price
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What is Comic Strip Art?
Comic strip art refers to artwork that utilizes the subject matter and commercial printing techniques found in comic strips. In the 1960s, a group of artists began creating paintings that incorporated Ben-Day dots—commonly used in comics and advertising—to produce highly graphic designs in bright colors, using traditional art media.