
Details
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Published by George Mulder Fine Art London -Suite of The Valley -Original etching on wove paper -Hand signed by the artist // Keith Haring’s Untitled IV from the Valley (1989) is an etching that combines his characteristic cartoon-like figures with thought-provoking, socially charged imagery. In this piece, a figure in a protective hazmat suit, marked with CDC (Centers for Disease Control) symbols, interacts with a vulnerable, exposed human figure, possibly alluding to issues of medical intervention, surveillance, or vulnerability in the face of institutional power. The simplified lines and bold outlines amplify the tension in the interaction, as Haring’s style emphasizes the psychological distance between the figures. Hand-signed by the artist, this etching reflects Haring’s ongoing engagement with themes of health, humanity, and authority, presented with his unique blend of simplicity and depth.
Untitled IV from the Valley, 1989
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35.6 x 31.8 cm
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Details
Artist
Styles
Published by George Mulder Fine Art London -Suite of The Valley -Original etching on wove paper -Hand signed by the artist // Keith Haring’s Untitled IV from the Valley (1989) is an etching that combines his characteristic cartoon-like figures with thought-provoking, socially charged imagery. In this piece, a figure in a protective hazmat suit, marked with CDC (Centers for Disease Control) symbols, interacts with a vulnerable, exposed human figure, possibly alluding to issues of medical intervention, surveillance, or vulnerability in the face of institutional power. The simplified lines and bold outlines amplify the tension in the interaction, as Haring’s style emphasizes the psychological distance between the figures. Hand-signed by the artist, this etching reflects Haring’s ongoing engagement with themes of health, humanity, and authority, presented with his unique blend of simplicity and depth.
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Limited Edition Print
Screen-print
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What is Comic Strip Art?
Comic strip art refers to artwork that utilizes the subject matter and commercial printing techniques found in comic strips. In the 1960s, a group of artists began creating paintings that incorporated Ben-Day dots—commonly used in comics and advertising—to produce highly graphic designs in bright colors, using traditional art media.