Sam Francis

Untitled, 1984

106.7 X 73 inch

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Unité 9

Le Corbusier’s Unité 10, etching and aquatint, 1963-1965. Abstract forms with bold black outlines filled with red, pink, brown, and yellow.

Etching and aquatint in colours, on BFK Rives paper, with full margins. - This work is from the UNITÉ book, which began to be printed in 1963 and ended on October 15, 1965 in Paris. - I. 41.5 x 31.5 cm (16 3/8 x 12 3/8 in.) - S. 57 x 45.2 cm (22 1/2 x 17 3/4 in.) - Signed and numbered in pencil, from the edition of 130 pc + 30 in Roman numerals, published by Atelier Crommelynck, Paris // Le Corbusier’s Unité 10 (1963-1965) is a limited-edition etching and aquatint in colors, printed on BFK Rives paper. The composition presents an abstract arrangement of shapes and forms, characterized by bold black outlines filled with vibrant colors such as red, pink, brown, and yellow. The upper half features organic, flowing shapes, contrasted with more solid, block-like figures in the lower half. The use of geometric forms alongside curvilinear elements creates a dynamic contrast, evoking themes of human and architectural interplay. The composition is complex, yet harmonious, reflecting Le Corbusier’s interest in the coexistence of natural forms and structural design.

Artwork Copyright © Le Corbusier

Unité 10, 1963-1965

form

Medium

Edition

Etching and aquatint in colours, on BFK Rives paper, with full margins. - This work is from the UNITÉ book, which began to be printed in 1963 and ended on October 15, 1965 in Paris. - I. 41.5 x 31.5 cm (16 3/8 x 12 3/8 in.) - S. 57 x 45.2 cm (22 1/2 x 17 3/4 in.) - Signed and numbered in pencil, from the edition of 130 pc + 30 in Roman numerals, published by Atelier Crommelynck, Paris // Le Corbusier’s Unité 10 (1963-1965) is a limited-edition etching and aquatint in colors, printed on BFK Rives paper. The composition presents an abstract arrangement of shapes and forms, characterized by bold black outlines filled with vibrant colors such as red, pink, brown, and yellow. The upper half features organic, flowing shapes, contrasted with more solid, block-like figures in the lower half. The use of geometric forms alongside curvilinear elements creates a dynamic contrast, evoking themes of human and architectural interplay. The composition is complex, yet harmonious, reflecting Le Corbusier’s interest in the coexistence of natural forms and structural design.

Artwork Copyright © Le Corbusier

Le Corbusier

Unité 20, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 6,250

Le Corbusier

Unité 19, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 6,250

Le Corbusier

Unité 17, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 3,750

Le Corbusier

Unité 15, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 6,250

Le Corbusier

Unité 16, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 6,250

Le Corbusier

Unité 13, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 3,750

Le Corbusier

Unité 12, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 3,750

Le Corbusier

Unité 11, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 6,250

Le Corbusier

Unité 10, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 6,250

Le Corbusier

Unité 9, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 6,250

Le Corbusier

Unité 6, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 6,250

Le Corbusier

Unité 5, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 6,250

Le Corbusier

Unité 4, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 6,250

Le Corbusier

Unité 3, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 6,250

Le Corbusier

Unité 2, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 6,250

Le Corbusier

Unité 1, 1963-1965

Limited Edition Print

Etching And Aquatint

EUR 6,250

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What is Cubism?

Cubism is an art movement that aimed to depict multiple perspectives of objects or figures within a single picture. Artists Georges Braque and Pablo Picasso pioneered this style around 1907. The name Cubism emerged from their use of geometric shapes and outlines that often resembled cubes, breaking objects down into abstracted forms.

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