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// Louise Nevelson's Senza titolo (Untitled) from 1975 is a powerful screen print that reflects the artist's affinity for geometric abstraction and minimalism. The composition features a grid-like arrangement of rectangular forms, layered in varying shades of blue and black. The subtle variations in hue and tone give depth to the simple shapes, creating a sense of balance and structure. Nevelson, known primarily for her monumental sculptures, brings a sculptural sensibility to this two-dimensional work, as the blocks of color seem to float within the dark, almost atmospheric background. The piece evokes a contemplative mood, drawing attention to the interplay between form, color, and negative space. The restrained palette and clean lines exemplify Nevelson's approach to abstraction, transforming basic shapes into an evocative, meditative visual experience.
Senza titolo, 1975
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Medium
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64.5 x 87 cm
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Details
Artist
Styles
// Louise Nevelson's Senza titolo (Untitled) from 1975 is a powerful screen print that reflects the artist's affinity for geometric abstraction and minimalism. The composition features a grid-like arrangement of rectangular forms, layered in varying shades of blue and black. The subtle variations in hue and tone give depth to the simple shapes, creating a sense of balance and structure. Nevelson, known primarily for her monumental sculptures, brings a sculptural sensibility to this two-dimensional work, as the blocks of color seem to float within the dark, almost atmospheric background. The piece evokes a contemplative mood, drawing attention to the interplay between form, color, and negative space. The restrained palette and clean lines exemplify Nevelson's approach to abstraction, transforming basic shapes into an evocative, meditative visual experience.
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What is Found Object?
A found object is a term used to describe a man-made or natural object, or a fragment of one, that an artist discovers or purchases and keeps for inspiration or as a work of art. The artist may also modify the object or incorporate it into a collage or assemblage, transforming it into a new piece of art.