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Rare museum quality edition of the "Cadeau"- Realized by Man-Ray - Published by Luciano Anselmino editore, Turin in 1974 in just 300 copies from I/CCC to CCC/CCC numbered and hand signed by the artist. ( 1921/74) // Man Ray’s Cadeau is an iconic Dadaist sculpture that challenges the boundaries of everyday objects through surrealist transformation. Originally conceived in 1921, this piece is a modified flatiron with a row of sharp nails embedded down its center, rendering it completely useless in its intended function. The juxtaposition of a domestic object with a violent alteration evokes a sense of discomfort and subverts its familiar purpose. This edition, realized in 1974 in a rare, museum-quality series of 300 pieces, is hand-signed and numbered by the artist. The piece exemplifies Man Ray's playful yet subversive approach to art, inviting viewers to reconsider the meanings and functions of mundane objects in their daily lives. Cadeau embodies the spirit of Dadaism, blending wit, absurdity, and the defamiliarization of the ordinary, a powerful statement that remains as impactful now as when it was first created.
Cadeau (special edition), 1921-1974
form
Medium
Size
17 x 10 X 10.5 cm
- Inches
- Centimeters
Edition
Price
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Details
Artist
Styles
Rare museum quality edition of the "Cadeau"- Realized by Man-Ray - Published by Luciano Anselmino editore, Turin in 1974 in just 300 copies from I/CCC to CCC/CCC numbered and hand signed by the artist. ( 1921/74) // Man Ray’s Cadeau is an iconic Dadaist sculpture that challenges the boundaries of everyday objects through surrealist transformation. Originally conceived in 1921, this piece is a modified flatiron with a row of sharp nails embedded down its center, rendering it completely useless in its intended function. The juxtaposition of a domestic object with a violent alteration evokes a sense of discomfort and subverts its familiar purpose. This edition, realized in 1974 in a rare, museum-quality series of 300 pieces, is hand-signed and numbered by the artist. The piece exemplifies Man Ray's playful yet subversive approach to art, inviting viewers to reconsider the meanings and functions of mundane objects in their daily lives. Cadeau embodies the spirit of Dadaism, blending wit, absurdity, and the defamiliarization of the ordinary, a powerful statement that remains as impactful now as when it was first created.
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What is Readymade?
Readymade is the term coined by French artist Marcel Duchamp to describe artworks created from manufactured objects. Duchamp selected ordinary, functional items that he felt had visual indifference, turning them into art simply by choosing and presenting them in a new context. This concept challenged traditional notions of art and continues to influence artists who adopt similar approaches today.