Sam Francis

Untitled, 1984

106.7 X 73 inch

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512 Hours (2014)

Marina Abramovi?'s Portrait with Falcon, black-and-white pigment print of artist holding a falcon, with intense gaze and minimal attire.

black and white photograph // Marina Abramovi?’s Portrait with Falcon (2010) captures the artist in a striking black-and-white composition that merges intensity with poise. The photograph shows Abramovi? holding a falcon, a creature symbolic of vision, power, and freedom, while she gazes directly at the viewer with a steady, unwavering expression. Dressed in a simple, formal shirt with her dark hair braided, Abramovi?’s minimal attire contrasts with the falcon’s intricate feathers, emphasizing both her restrained presence and the wild essence of the bird. This image reflects themes of control, strength, and Abramovi?'s characteristic engagement with animals to explore human connection, endurance, and spiritual symbolism.

Artwork Copyright © Marina Abramovic

Portrait with Falcon, 2010

form

Medium

Edition

black and white photograph // Marina Abramovi?’s Portrait with Falcon (2010) captures the artist in a striking black-and-white composition that merges intensity with poise. The photograph shows Abramovi? holding a falcon, a creature symbolic of vision, power, and freedom, while she gazes directly at the viewer with a steady, unwavering expression. Dressed in a simple, formal shirt with her dark hair braided, Abramovi?’s minimal attire contrasts with the falcon’s intricate feathers, emphasizing both her restrained presence and the wild essence of the bird. This image reflects themes of control, strength, and Abramovi?'s characteristic engagement with animals to explore human connection, endurance, and spiritual symbolism.

Artwork Copyright © Marina Abramovic

Marina Abramovic

512 Hours (2014), 2021

Photography

C-Print

EUR 2,400

Marina Abramovic

Portrait With Falcon, 2010

Photography

Pigment Print

Currently Not Available

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What is Happening?

A Happening is a term used to describe artistic and theatrical events held by artists in the 1950s and 60s. These events were typically staged in gallery installations or planned environments and often involved audience participation, along with elements like lighting, sounds, and slide projections. Happenings were a precursor to performance art, which later included the active participation of the artists themselves.

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