Sam Francis

Untitled, 1984

106.7 X 73 inch

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Saca la lengua

Marisol Escobar's Untitled, mixed media print, shows a hand holding a spiky flower in red and blue lines on white paper.
Marisol Escobar (b. 1930 France, d. 2016 USA), known simply as Marisol, was a Venezuelan-American artist celebrated for her unique sculptures that blend Pop Art with social commentary. Marisol's work often incorporates life-sized figures crafted from a variety of materials, including wood, plaster, and found objects, creatin Read More
Artwork Copyright © Marisol Escobar

Untitled (from the Stamped Indelibly), 1967

form
Medium

From the Stamped Indelibly Portfolio - Rubber Stamp on BFK Rives paper - Signed and Dated - Or (...) Show More
Marisol Escobar (b. 1930 France, d. 2016 USA), known simply as Marisol, was a Venezuelan-American artist celebrated for her unique sculptures that blend Pop Art with social commentary. Marisol's work often incorporates life-sized figures crafted from a variety of materials, including wood, plaster, and found objects, creatin Read More
Artwork Copyright © Marisol Escobar

Marisol Escobar

Untitled (from The Stamped Indelibly), 1967

Limited Edition Print

Mixed Media

USD 1,300

Marisol Escobar

Saca La Lengua, 1973

Limited Edition Print

Silkscreen

EUR 1,700

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What is Nouveau Realism?

Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.

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