Sam Francis

Untitled, 1984

106.7 X 73 inch

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287 hours

Massimo Bartolini 145 Hours photoetching with a dense red line square centered on a white background, evoking time and intricacy.
Massimo Bartolini is an Italian artist that works in a variety of mediums. From photography, to ink drawings to sculpture installations, Bartolini has perfected his technique for the past 30 years. Bartolini's adeptness at manipulating space, sound and light can be seen in most of his installation pieces. It appears that he Read More
Artwork Copyright © Massimo Bartolini

145 hours, 2014

form
Medium

Photoetching // Massimo Bartolini's 145 Hours, a limited edition photoetching from 2014, presents a (...) Show More
Massimo Bartolini is an Italian artist that works in a variety of mediums. From photography, to ink drawings to sculpture installations, Bartolini has perfected his technique for the past 30 years. Bartolini's adeptness at manipulating space, sound and light can be seen in most of his installation pieces. It appears that he Read More
Artwork Copyright © Massimo Bartolini

Massimo Bartolini

Dust Chaser 2, 2014

Limited Edition Print

Etching

EUR 1,300

Massimo Bartolini

Dust Chaser 1, 2014

Limited Edition Print

Etching

EUR 1,300

Massimo Bartolini

Dust Chaser, 2014

Limited Edition Print

Etching

EUR 1,800

Massimo Bartolini

145 Hours, 2014

Limited Edition Print

Etching

EUR 1,300

Massimo Bartolini

287 Hours, 2014

Limited Edition Print

Etching

EUR 1,800

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What is ‘light and space’?

The Light and Space Movement refers to loosely affiliated art movements connected to minimalism, geometric abstraction, and op art that originated in Southern California in the 1960s. Greatly influenced by artist John McLaughlin, these artists focused on sensory phenomena such as light, perception, and space as central elements of their work. They also incorporated cutting-edge technologies from the aerospace and engineering industries to develop light-filled and sensuous objects, creating immersive experiences that emphasize the viewer's perception.

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