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Diptych of 2 photoetchings // Massimo Bartolini’s 287 hours (2014) is a limited edition diptych of two photoetchings, capturing a minimalist yet intricate aesthetic. Each print in the diptych contains a dense field of fine, abstract patterns confined within a rectangular frame at the center of an expansive, empty white space. The composition suggests intense concentration and meticulous labor, reflecting the title 287 hours, which may hint at the time invested in the creation. Bartolini’s work often examines space and perception, and here, the restrained presentation emphasizes the textured detail within the rectangular forms, inviting viewers to focus on subtle variations and the passage of time embedded within the patterns.
287 hours, 2014
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Medium
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76.5 x 115.5 cm
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Details
Artist
Styles
Diptych of 2 photoetchings // Massimo Bartolini’s 287 hours (2014) is a limited edition diptych of two photoetchings, capturing a minimalist yet intricate aesthetic. Each print in the diptych contains a dense field of fine, abstract patterns confined within a rectangular frame at the center of an expansive, empty white space. The composition suggests intense concentration and meticulous labor, reflecting the title 287 hours, which may hint at the time invested in the creation. Bartolini’s work often examines space and perception, and here, the restrained presentation emphasizes the textured detail within the rectangular forms, inviting viewers to focus on subtle variations and the passage of time embedded within the patterns.
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What is conceptual art?
Sometimes referred to as Conceptualism, this is an art form where the idea(s) or concept(s) behind the work take precedence over material concerns and traditional aesthetics. Many conceptual artworks can be created by anyone simply by following written instructions. The concept or idea is the most essential aspect of the artwork.