Sam Francis

Untitled, 1984

106.7 X 73 inch

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Amare

Michelangelo Pistoletto's La mela reintegrata, 2014 screen-print, shows a hand holding a stitched apple, symbolizing repair and reflection.
Michelangelo Pistoletto is an Italian painter and art theorist. Moreover, he is also recognized as an action and object artist as well as acknowledged as one of the key figures behind the Italian Arte Povera movement. This avant-garde, modern art movement took major cities throughout Italy by storm (including Rome, Genoa, Venice Read More
Artwork Copyright © Michelangelo Pistoletto

La mela reintegrata, 2014

form
Medium

Silkscreen on steel mirroring surface - Edition "Città dell'arte", Fondazione Michelangelo Pistoletto. (...) Show More
Michelangelo Pistoletto is an Italian painter and art theorist. Moreover, he is also recognized as an action and object artist as well as acknowledged as one of the key figures behind the Italian Arte Povera movement. This avant-garde, modern art movement took major cities throughout Italy by storm (including Rome, Genoa, Venice Read More
Artwork Copyright © Michelangelo Pistoletto

Michelangelo Pistoletto

Alter Ego, 1984

Limited Edition Print

Screen-print

EUR 1,050

Michelangelo Pistoletto

La Mela Reintegrata, 2014

Limited Edition Print

Screen-print

EUR 4,850

Michelangelo Pistoletto

Amare, 2006

Limited Edition Print

Mixed Media

Currently Not Available

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What is Performance Art?

Performance Art is a genre of fine art that is traditionally interdisciplinary, involving various art forms. It can be scripted or unscripted, random or carefully orchestrated, spontaneous, or meticulously planned, with or without audience participation. Performance Art can be presented live or through media, with the artist either present or absent. It typically involves four basic elements: space, the performer’s body or presence through a medium, time, and the relationship between performer and audience. The artwork consists of actions performed by an individual or group in a specific time and space.

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