Sam Francis

Untitled, 1984

106.7 X 73 inch

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Pablo Picasso’s Figure Composée I, 8.3., lithograph, 1949. Abstract black-and-white composition with geometric forms, distorted faces, and exaggerated features.

Signed, numbered and dated // Pablo Picasso’s Figure Composée I, 8.3. (1949) is a limited-edition lithograph that exemplifies his bold, abstract style during the mid-20th century. The composition features a dynamic interplay of curvilinear and angular forms, with faces and body parts abstracted into geometric shapes. The black and white palette enhances the stark contrasts, emphasizing the tension between organic and structured elements. Picasso’s signature use of distorted figures is evident in the elongated facial features and exaggerated forms, which evoke a sense of complexity and emotional depth. The date, 8.3., and signature are incorporated within the work, giving it a personal, intimate feel. This piece reflects Picasso’s mastery of form, allowing simplicity in color while exploring intricate psychological and emotional dimensions.

Artwork Copyright © Pablo Picasso

Figure Composee I, 8.3., 1949

form

Medium

Edition

Signed, numbered and dated // Pablo Picasso’s Figure Composée I, 8.3. (1949) is a limited-edition lithograph that exemplifies his bold, abstract style during the mid-20th century. The composition features a dynamic interplay of curvilinear and angular forms, with faces and body parts abstracted into geometric shapes. The black and white palette enhances the stark contrasts, emphasizing the tension between organic and structured elements. Picasso’s signature use of distorted figures is evident in the elongated facial features and exaggerated forms, which evoke a sense of complexity and emotional depth. The date, 8.3., and signature are incorporated within the work, giving it a personal, intimate feel. This piece reflects Picasso’s mastery of form, allowing simplicity in color while exploring intricate psychological and emotional dimensions.

Artwork Copyright © Pablo Picasso

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Limited Edition Print

Offset Print

Artwork On Hold

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Artwork On Hold

Pablo Picasso

DANAÉ (B. 1084; BA. 1286), 1962

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Linocut

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Pablo Picasso

Le Petit Pierrot Aux Fleurs, ca. 1960

Limited Edition Print

Aquatint

EUR 20,000

Pablo Picasso

Heads #367 (Ceramic Pitcher), 1956

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USD 6,400

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Tormented Faun’s Face, 1956

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USD 23,000 - 25,000

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Exposition Céramique Vallauris - B1286 , 1959

Limited Edition Print

Linocut

USD 10,700

Pablo Picasso

Vallauris Exhibition - B1850, 1964

Limited Edition Print

Linocut

USD 10,700

Pablo Picasso

Femme Assise En Pyjama De Plage. II - B1062, 1961

Limited Edition Print

Linocut

USD 17,750

Pablo Picasso

Seated Woman, 1943

Limited Edition Print

Etching

EUR 10,000 - 12,000

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Bull #392 R529, 1957

Ceramics

Plate

USD 15,900

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Big Fish #332 B95, 1956

Ceramics

Plate

USD 17,800

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Corrida Sur Fond Noir, 1953

Ceramics

Plate

EUR 12,000 - 15,000

Pablo Picasso

David Et Bethsabée, 1949

Limited Edition Print

Lithograph

EUR 40,400

Pablo Picasso

Tête D'Histrion (Le Danseur), 1965

Limited Edition Print

Linocut

EUR 12,000

Pablo Picasso

Nu Aux Bottines, From La Série 347 (B. 1724; Ba. 1741), 1968

Limited Edition Print

Etching

EUR 5,400

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Sur La Scène: Viellard Barbu S'apprêtant à Poignarder Une Femme Dans Son Lit, 1966

Limited Edition Print

Etching And Aquatint

EUR 5,100

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Sujet Poule (A.R. 250), 1954

Ceramics

Ceramic

EUR 9,600

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Deux Oiseaux No. 95 (A.R. 487), 1963

Ceramics

Plate

EUR 9,600

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Exposition Vallauris, 1962

Limited Edition Print

Linocut

EUR 9,600

Pablo Picasso

Sculptures Et Vase De Fleurs, From The Vollard Suite (B. 189; Ba. 348), 1933

Limited Edition Print

Etching And Aquatint

USD 16,900

Pablo Picasso

Jeune Prostituée Et Mousquetaire (Young Prostitute And A Musketeer), From La Série 347, 1968

Limited Edition Print

Aquatint

USD 12,000

Pablo Picasso

Peintre Au Travail, 1963

Limited Edition Print

Etching

USD 12,700

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Peintre Devant Son Chevalet (Painter In Front Of His Easel), From Le Chef-d'Œuvre Inconnu, 1927

Limited Edition Print

Etching

USD 15,000

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What is Surrealism?

Surrealism began in the 1920s as an art and literary movement with the goal of revealing the unconscious mind and unleashing the imagination by exploring unusual and dream-like imagery. Influenced by Sigmund Freud’s theories of psychoanalysis, Surrealist artists and writers sought to bring the unconscious into rational life, blurring the lines between reality and dreams. The movement aimed to challenge conventional perceptions and express the irrational aspects of the human experience.

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