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Etching on laid wove paper. - Printed by Jacques Frélaut, 1960 - Published by Galerie Louise Leiris, 1960 - Image: 20.5 x 26.9 cm - Sheet: 32.4 x 37.4 cm - Proof annotated by Picasso; “Bon a tirer” / Picasso/ Le 30-10-'60” (Good to pull / Picasso / 30-10-’60) in pencil. This is the first perfect impression of the work. - Catalogue raisonné: Bloch 986; Geiser / Baer 1071A (This copy cited by Baer) // Pablo Picasso's Personnages et Nu (1960) is a limited edition etching that captures the artist's characteristic exploration of form and abstraction. Measuring 32.4 x 37.4 cm, this work features simplified yet expressive lines depicting two figures and a nude, alongside a minimalistic chair. Picasso’s deft use of line reduces these forms to their essence, creating a composition that is both fluid and dynamic. The piece reflects his mastery of the etching technique, demonstrating his ability to convey emotion and movement with minimal details. Annotated as “Bon à tirer” (meaning good to pull) and signed by Picasso himself, this print is the first perfect impression of the work. Printed by Jacques Frélaut and published by Galerie Louise Leiris, it is cataloged in the Bloch and Geiser/Baer catalogues, underscoring its significance in Picasso's vast oeuvre. This etching is a powerful testament to Picasso's influence in 20th-century art, embodying his innovation and expressiveness.
Personnages et Nu, 1960
form
Medium
Size
32.4 x 37.4 cm
- Inches
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Edition
Price
Details
Artist
Styles
Etching on laid wove paper. - Printed by Jacques Frélaut, 1960 - Published by Galerie Louise Leiris, 1960 - Image: 20.5 x 26.9 cm - Sheet: 32.4 x 37.4 cm - Proof annotated by Picasso; “Bon a tirer” / Picasso/ Le 30-10-'60” (Good to pull / Picasso / 30-10-’60) in pencil. This is the first perfect impression of the work. - Catalogue raisonné: Bloch 986; Geiser / Baer 1071A (This copy cited by Baer) // Pablo Picasso's Personnages et Nu (1960) is a limited edition etching that captures the artist's characteristic exploration of form and abstraction. Measuring 32.4 x 37.4 cm, this work features simplified yet expressive lines depicting two figures and a nude, alongside a minimalistic chair. Picasso’s deft use of line reduces these forms to their essence, creating a composition that is both fluid and dynamic. The piece reflects his mastery of the etching technique, demonstrating his ability to convey emotion and movement with minimal details. Annotated as “Bon à tirer” (meaning good to pull) and signed by Picasso himself, this print is the first perfect impression of the work. Printed by Jacques Frélaut and published by Galerie Louise Leiris, it is cataloged in the Bloch and Geiser/Baer catalogues, underscoring its significance in Picasso's vast oeuvre. This etching is a powerful testament to Picasso's influence in 20th-century art, embodying his innovation and expressiveness.
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Limited Edition Print
Linocut
USD 10,700
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Limited Edition Print
Linocut
USD 17,750
Pablo Picasso
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Limited Edition Print
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EUR 5,400
Pablo Picasso
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Limited Edition Print
Etching And Aquatint
EUR 5,100
Pablo Picasso
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Limited Edition Print
Etching And Aquatint
USD 16,900
Pablo Picasso
Jeune Prostituée Et Mousquetaire (Young Prostitute And A Musketeer), From La Série 347, 1968
Limited Edition Print
Aquatint
USD 12,000
Pablo Picasso
Peintre Devant Son Chevalet (Painter In Front Of His Easel), From Le Chef-d'Œuvre Inconnu, 1927
Limited Edition Print
Etching
USD 15,000
Pablo Picasso
Raphäel Et La Fornarina, XIL Le Pape Est Bouche Bèe Dans Son Fauteuil, Pl.306 From 'Series 347', 1968
Limited Edition Print
Etching
USD 7,000
Pablo Picasso
Sculpteur Et Trois Danseuses Sculptés, Pl.81 From La Suite Vollard, 1934
Limited Edition Print
Etching
USD 14,700
Pablo Picasso
Vieux Beau Saluant Très Bas Une Pupille (old Romeo Bows To His Former Lover), From La Célestine, 1968
Limited Edition Print
Aquatint
USD 15,000
Pablo Picasso
Faune Flûtiste Et Bacchantes (Faun Flutist And Dancers), From La Série 347, 1968
Limited Edition Print
Etching
USD 12,000
Pablo Picasso
Deux Buveurs Catalans, From La Suite Vollard, 1934
Limited Edition Print
Etching
USD 25,000
Pablo Picasso
Sur La Scene (Roi Et Couple-phallus), 1966
Limited Edition Print
Etching And Aquatint
Inquire For Price
Pablo Picasso
Buste Au Corsage à Carreaux, 1957
Limited Edition Print
Lithograph
EUR 55,000 - 60,000
Pablo Picasso
Gentilhomme, Femme Honteuse Et Reître, From: Séries 347, 1968
Limited Edition Print
Etching
USD 7,000 - 10,000
Pablo Picasso
Le Repos Du Sculpteur Devant Un Nu à La Draperie, Pl. 51 (B160 Vollard), 1933-1939
Limited Edition Print
Etching
USD 14,250
Pablo Picasso
Famille De Saltimbanques (B163 Vollard), 1933-1939
Limited Edition Print
Etching
USD 14,250
Pablo Picasso
Modèle Et Grande Tête Sculptée (B170 Vollard), 1933
Limited Edition Print
Etching
USD 15,500
Pablo Picasso
L Inspiration Travaille Et Le Peintre Se Tourne Les Pouches, 1951
Limited Edition Print
Mixed Media
USD 7,500
Pablo Picasso
Le Cocu Posant Pour Une Photographie Devant Des Spectateurs, 1966
Limited Edition Print
Etching And Aquatint
USD 7,950
Pablo Picasso
Peintre Avec Deux Modeles Regardant Une Toile, 1927
Limited Edition Print
Etching
USD 7,950
Pablo Picasso
Bull And Horse (plate III) In The Arena From Le Chef-d'œuvre Inconnu, 1927
Limited Edition Print
Etching
USD 8,000
Pablo Picasso
Les Baigneuses Surprises, From La Suite Vollard, 1933
Limited Edition Print
Etching
USD 16,800
Pablo Picasso
Les Saltimbanques, From Souvenirs D'un Collectionneur (B. 855; M. 285), 1958
Limited Edition Print
Lithograph
USD 9,000
Pablo Picasso
L'Arrivée Du Chevalier (The Arrival Of The Knight), 1971
Limited Edition Print
Lithograph
EUR 4,850
Pablo Picasso
El Rapto De Jezabel Por Quirón El Centauro II, 1962
Limited Edition Print
Drypoint
EUR 9,560
Pablo Picasso
Vollard Et Son Chat (Vollard And His Cat), 1960
Limited Edition Print
Etching And Aquatint
Currently Not Available
What is Cubism?
Cubism is an art movement that aimed to depict multiple perspectives of objects or figures within a single picture. Artists Georges Braque and Pablo Picasso pioneered this style around 1907. The name Cubism emerged from their use of geometric shapes and outlines that often resembled cubes, breaking objects down into abstracted forms.