
Details
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Lithograph on Arches paper - Dated in the plate 1-72, signed and numbered in pencil - Le Bateau Lavoir Ed., Paris. - Voir: Cahier Paul Delvaux n°4, Galerie Le Bateau-Lavoir, Paris, 1972, n°54 // Paul Delvaux’s Le Chapeau 1900 (1972) is a lithograph depicting a woman in profile wearing an elaborate, early 20th-century style hat adorned with ribbons and floral decorations. The soft, detailed lines capture the elegance of her attire and the refined poise of her demeanor. Her hair is gathered into a low ponytail, tied with a matching bow, reinforcing the theme of classic femininity. The background features geometric patterns, creating a contrast with the organic forms of the hat and the figure. The piece reflects Delvaux's fascination with combining elements of fashion and classical beauty, while maintaining an air of mystery and timelessness.
Le Chapeau 1900, 1972
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58.5 x 39.5 cm
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Details
Artist
Styles
Lithograph on Arches paper - Dated in the plate 1-72, signed and numbered in pencil - Le Bateau Lavoir Ed., Paris. - Voir: Cahier Paul Delvaux n°4, Galerie Le Bateau-Lavoir, Paris, 1972, n°54 // Paul Delvaux’s Le Chapeau 1900 (1972) is a lithograph depicting a woman in profile wearing an elaborate, early 20th-century style hat adorned with ribbons and floral decorations. The soft, detailed lines capture the elegance of her attire and the refined poise of her demeanor. Her hair is gathered into a low ponytail, tied with a matching bow, reinforcing the theme of classic femininity. The background features geometric patterns, creating a contrast with the organic forms of the hat and the figure. The piece reflects Delvaux's fascination with combining elements of fashion and classical beauty, while maintaining an air of mystery and timelessness.
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Paul Delvaux
Construction D'un Temple En Ruine De La Déesse Vanadé Paris, 1975
Limited Edition Print
Etching
EUR 4,735
What is Surrealism?
Surrealism began in the 1920s as an art and literary movement with the goal of revealing the unconscious mind and unleashing the imagination by exploring unusual and dream-like imagery. Influenced by Sigmund Freud’s theories of psychoanalysis, Surrealist artists and writers sought to bring the unconscious into rational life, blurring the lines between reality and dreams. The movement aimed to challenge conventional perceptions and express the irrational aspects of the human experience.