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There are 30 similar but not identical "Emprintes de pierre" They are all different. // Empreinte de Pierre by Giuseppe Penone, created in 2011, is a lithographic exploration of texture and form. The piece captures the impression of a fractured stone, emphasizing the organic lines and rugged textures created by natural forces. Penone’s work often investigates the relationship between humanity and nature, and this lithograph exemplifies his fascination with natural imprints and geological surfaces. Each edition in the series of 30 is unique, bearing slight variations that reflect the distinct qualities of each imprint of stone. The interplay of light and dark tones enhances the depth and tactile quality, inviting viewers to contemplate the enduring impact of time on natural forms. Measuring 60 x 76 cm, this limited edition lithograph highlights Penone's dedication to capturing the subtle, powerful beauty of nature's imprints.
Empreinte de Pierre, 2011
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Medium
Size
60 x 76 cm
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- Centimeters
Edition
Price
Details
Artist
Styles
There are 30 similar but not identical "Emprintes de pierre" They are all different. // Empreinte de Pierre by Giuseppe Penone, created in 2011, is a lithographic exploration of texture and form. The piece captures the impression of a fractured stone, emphasizing the organic lines and rugged textures created by natural forces. Penone’s work often investigates the relationship between humanity and nature, and this lithograph exemplifies his fascination with natural imprints and geological surfaces. Each edition in the series of 30 is unique, bearing slight variations that reflect the distinct qualities of each imprint of stone. The interplay of light and dark tones enhances the depth and tactile quality, inviting viewers to contemplate the enduring impact of time on natural forms. Measuring 60 x 76 cm, this limited edition lithograph highlights Penone's dedication to capturing the subtle, powerful beauty of nature's imprints.
What is Arte Povera?
A movement and style in art that originated in Italy during the 1960s. It integrates elements of minimalism, performance art, and conceptual art by using everyday or seemingly worthless materials, such as newspapers, stones, or rags. The goal was to challenge and subvert the commercialization of art.