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From Síntesis Series - Silkscreen on two Plexiglas panels with steel rods - Signed and numbered on a label affixed to the reverse // Rafael Jesus Soto’s Espiral Doble is a captivating mixed-media artwork that plays with optical effects and spatial perception. Part of the Síntesis series, the piece consists of two Plexiglas panels, each featuring a silkscreened spiral pattern that, when viewed together, create a dynamic and immersive visual experience. The overlay of spirals produces an illusion of movement, as if the spirals are shifting or vibrating as the viewer changes their perspective. The use of steel rods to suspend the Plexiglas panels adds depth to the composition, emphasizing the sense of dimensionality and interaction between the patterns. Signed and numbered on the reverse, this work exemplifies Soto’s mastery of kinetic art, where light, form, and viewer perception are central elements.
Espiral Doble, 1979
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39 x 39 X 15 cm
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Details
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From Síntesis Series - Silkscreen on two Plexiglas panels with steel rods - Signed and numbered on a label affixed to the reverse // Rafael Jesus Soto’s Espiral Doble is a captivating mixed-media artwork that plays with optical effects and spatial perception. Part of the Síntesis series, the piece consists of two Plexiglas panels, each featuring a silkscreened spiral pattern that, when viewed together, create a dynamic and immersive visual experience. The overlay of spirals produces an illusion of movement, as if the spirals are shifting or vibrating as the viewer changes their perspective. The use of steel rods to suspend the Plexiglas panels adds depth to the composition, emphasizing the sense of dimensionality and interaction between the patterns. Signed and numbered on the reverse, this work exemplifies Soto’s mastery of kinetic art, where light, form, and viewer perception are central elements.
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What is interactive art?
Interactive art is a form of art where the spectator is actively involved by the artist to achieve the artwork's purpose. This involvement can include allowing the visitor to walk around, in, or on the art installation, or even becoming a part of the artwork itself. Works in this category often feature computers, sensors, and interfaces that respond to various inputs such as meteorological changes, heat, motion, or other types of data programmed by the artist.
