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From Síntesis Series - Mixed media on plexiglass - Signed and numbered on a label affixed to the reverse // Rafael Jesus Soto’s La Escalera Azul is a captivating mixed-media work that plays with perception, illusion, and dimensionality. Part of the Síntesis series, the piece is constructed using Plexiglas and features horizontal black and white lines that create a visual rhythm. Over this structured backdrop, thin blue and black forms appear to float, creating an optical illusion of depth and movement. The blue lines, resembling the form of a ladder, stand out, drawing attention to the lower portion of the piece, where the blue tone dominates. The precision of the lines and their arrangement produce a kinetic effect as the viewer moves, shifting the perception of the artwork from static to dynamic. Soto’s ability to manipulate light and space through minimal elements transforms La Escalera Azul into an interactive visual experience, where the viewer’s movement activates the work. Signed and numbered on the reverse, this piece exemplifies Soto’s signature approach to kinetic and optical art.
La Escalera Azul , 1979
form
Medium
Size
49.4 x 34.5 X 12 cm
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- Centimeters
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Details
Artist
Styles
From Síntesis Series - Mixed media on plexiglass - Signed and numbered on a label affixed to the reverse // Rafael Jesus Soto’s La Escalera Azul is a captivating mixed-media work that plays with perception, illusion, and dimensionality. Part of the Síntesis series, the piece is constructed using Plexiglas and features horizontal black and white lines that create a visual rhythm. Over this structured backdrop, thin blue and black forms appear to float, creating an optical illusion of depth and movement. The blue lines, resembling the form of a ladder, stand out, drawing attention to the lower portion of the piece, where the blue tone dominates. The precision of the lines and their arrangement produce a kinetic effect as the viewer moves, shifting the perception of the artwork from static to dynamic. Soto’s ability to manipulate light and space through minimal elements transforms La Escalera Azul into an interactive visual experience, where the viewer’s movement activates the work. Signed and numbered on the reverse, this piece exemplifies Soto’s signature approach to kinetic and optical art.
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What is concrete art?
Concrete Art is an art movement founded by the Dutch artist Theo van Doesburg in the 1930s. The movement emphasizes pure abstraction, focusing on geometric shapes and colors without any reference to the natural world or symbolic meaning. Unlike other forms of abstract art, Concrete Art is entirely non-representational and is based on mathematical principles and precise execution. It aims to create universal, timeless works by using simple, clear forms that emphasize objectivity and clarity.
