Sam Francis

Untitled, 1984

106.7 X 73 inch

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I Value This For It's Associations

Raymond Pettibon | Once upon ... The End | Silkscreen available for sale on www.composition.gallery
Raymond Pettibon is a prolific contemporary American artist who is known for his drawings, which combine image and text and are often violent, ironic, and/or anti-authoritarian. Much of his illustration is political in nature, and uses black humor to critique contemporary culture. His primary medium is India ink on paper, and man Read More
Artwork Copyright © Raymond Pettibon

Once upon ... The End, 1990

form
Medium

Raymond Pettibon is a prolific contemporary American artist who is known for his drawings, which combine image and text and are often violent, ironic, and/or anti-authoritarian. Much of his illustration is political in nature, and uses black humor to critique contemporary culture. His primary medium is India ink on paper, and man Read More
Artwork Copyright © Raymond Pettibon

Raymond Pettibon

No Title (You Have Still), 2002

Limited Edition Print

Silkscreen

EUR 1,500

Raymond Pettibon

Untitled, It Might Easily -be Drawn Into Drawings, 1990

Limited Edition Print

Serigraph

USD 2,900

Raymond Pettibon

The World Came Into The Church, 1991

Limited Edition Print

Screen-print

USD 2,950

Raymond Pettibon

Yes, But Alas, 1990

Limited Edition Print

Silkscreen

USD 2,900

Raymond Pettibon

I Want To Be The Girl In The Wig Commercial, 1989

Limited Edition Print

Lithograph

USD 3,900

Raymond Pettibon

And When I Want To Fly Home What Do I Do?, 2004

Limited Edition Print

Lithograph

USD 2,700

Raymond Pettibon

I’m Losing The Big Picture In The Full Story Of My Life, 2010

Limited Edition Print

Lithograph

USD 3,900

Raymond Pettibon

At Least I Got To See Vegas, 1989

Limited Edition Print

Screen-print

Currently Not Available

Raymond Pettibon

Use The Moon, 1991

Limited Edition Print

Lithograph

Currently Not Available

Seek an Artwork by Raymond Pettibon

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What is animation?

Animation is the process of displaying a sequence of static images in rapid succession to create the illusion of movement. Each image, or frame, is slightly altered from the previous one, particularly in the moving parts, so when shown together, they form a continuous motion. Traditionally, illustrators drew each frame by hand to produce this effect.

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