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// Yes, but Alas by Raymond Pettibon, created in 1990, is a reflective silkscreen print that combines text with expressive, abstract imagery. The artwork features a broad, painterly stroke of deep blue across the upper half of the composition, reminiscent of a sky or perhaps a sea, with irregular textures that evoke depth and movement. Below this, Pettibon has inscribed in his signature handwritten style, “Yes; but, alas, all the blue sky is repainted. By restoration there is no saying how much you have lost.” This statement adds a contemplative tone, speaking to themes of loss, change, and the passage of time. The minimalistic yet poignant combination of text and image reflects Pettibon’s introspective approach, inviting viewers to consider the fragility of memory and the irreversible nature of restoration.
Yes, but Alas, 1990
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43 x 35.5 cm
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Details
Artist
Styles
// Yes, but Alas by Raymond Pettibon, created in 1990, is a reflective silkscreen print that combines text with expressive, abstract imagery. The artwork features a broad, painterly stroke of deep blue across the upper half of the composition, reminiscent of a sky or perhaps a sea, with irregular textures that evoke depth and movement. Below this, Pettibon has inscribed in his signature handwritten style, “Yes; but, alas, all the blue sky is repainted. By restoration there is no saying how much you have lost.” This statement adds a contemplative tone, speaking to themes of loss, change, and the passage of time. The minimalistic yet poignant combination of text and image reflects Pettibon’s introspective approach, inviting viewers to consider the fragility of memory and the irreversible nature of restoration.
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What is Lettrism?
Lettrism is an art form that uses letters, words, and symbols to create artwork. The movement was established in Paris in the 1940s and later gained popularity in the 1950s in America. Lettrisme is the French spelling of the movement's name, derived from the French word for letter.