Reinhoud D’haese’s works were primarily surrealist outputs depicting small-scale figures performing various activities; Le Contramaitre is just one of the many quirky figures created and exhibited.
Initially, his preferred material was copper, but he eventually went on to explore and create with a variety of other materials throughout his career, namely pewter and glass. D’haese met Pierre Alechinsky in the early 50’s and subsequently displayed a lot of his works at CoBrA exhibits – his sculptures, often inspired by fairy-tale figures, are usually displayed together in a scene that depicts some form of human activity. Read Less
Biography
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Reinhoud D’haese’s works were primarily surrealist outputs depicting small-scale figures performing various activities; Le Contramaitre is just one of the many quirky figures created and exhibited.
Initially, his preferred material was copper, but he eventually went on to explore and create with a variety of other ma Read More
Artwork Copyright ©
Reinhoud D'Haese
Initially, his preferred material was copper, but he eventually went on to explore and create with a variety of other ma Read More
Deluxe Edition, 1989
form
Medium
41.5 x 31.5 cm
- Inches
- Centimeters
Currently Not Available
Portfolio of 31 prints
// Reinhoud d'Haese's Deluxe Edition (1989) is a striking etching characterize (...)
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Biography
Categories
Reinhoud D’haese’s works were primarily surrealist outputs depicting small-scale figures performing various activities; Le Contramaitre is just one of the many quirky figures created and exhibited.
Initially, his preferred material was copper, but he eventually went on to explore and create with a variety of other ma Read More
Artwork Copyright ©
Reinhoud D'Haese
Initially, his preferred material was copper, but he eventually went on to explore and create with a variety of other ma Read More
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Reinhoud D'Haese
Deluxe Edition, 1989
Limited Edition Print
Etching
Currently Not Available
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Artwork by Karel Appel
What is the CoBrA movement?
CoBrA stands for Copenhagen, Brussels, and Amsterdam; the group was formed with a desire to break away from the existing art movements of the time. Their critique of Western society led them to experiment and evolve into a significant international movement. CoBrA was founded on November 8, 1948, at the Notre Dame Café in Paris, where its manifesto was signed by Karel Appel, Joseph Noiret, Corneille, Christian Dotremont, Constant, and Asger Jorn. The group was united by a shared commitment to freedom in both form and color, and their work emphasized experimentation and spontaneity.
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