Sam Francis

Untitled, 1984

106.7 X 73 inch

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Seated woman

Richard Diebenkorn's Touch Red, muted geometric abstraction with soft beige and pastel tones bordered by thin lines, on white paper.

Softgound aquatint, spit bite with, drypoint on Rives Heavyweight white paper - Signed with the artist's initials, dated and numbered .../85 - Published by Crown Point Press - Printed by Renee Bott with their chopmarks lower right 1991 - Image: 61 x 41 cm (24 x 16 1/8 in.) - Sheet: 90.8 x 68 cm (35 3/4 x 26 3/4 in.) // Touch Red by Richard Diebenkorn, created in 1991, is a limited edition mixed media print utilizing softground aquatint, spit bite, and drypoint techniques on Rives Heavyweight white paper. The composition features a muted, geometric abstraction with delicate layering of soft beige, tan, and light pastels, bordered by thin lines and hints of darker tones. Diebenkorn’s signature abstract style emphasizes the interplay between subtle texture, color fields, and carefully placed lines, creating a serene yet complex visual experience. The delicate balance of shapes and colors reflects Diebenkorn’s mastery in blending abstraction with landscape-like forms. Hand-initialed, dated, and numbered by the artist, this work was published by Crown Point Press and printed by Renee Bott, making it a significant piece within Diebenkorn’s exploration of printmaking. This edition is limited to 85, with an additional 10 artist proofs.

Artwork Copyright © Richard Diebenkorn

Touch Red, 1991

form

Medium

Edition

Softgound aquatint, spit bite with, drypoint on Rives Heavyweight white paper - Signed with the artist's initials, dated and numbered .../85 - Published by Crown Point Press - Printed by Renee Bott with their chopmarks lower right 1991 - Image: 61 x 41 cm (24 x 16 1/8 in.) - Sheet: 90.8 x 68 cm (35 3/4 x 26 3/4 in.) // Touch Red by Richard Diebenkorn, created in 1991, is a limited edition mixed media print utilizing softground aquatint, spit bite, and drypoint techniques on Rives Heavyweight white paper. The composition features a muted, geometric abstraction with delicate layering of soft beige, tan, and light pastels, bordered by thin lines and hints of darker tones. Diebenkorn’s signature abstract style emphasizes the interplay between subtle texture, color fields, and carefully placed lines, creating a serene yet complex visual experience. The delicate balance of shapes and colors reflects Diebenkorn’s mastery in blending abstraction with landscape-like forms. Hand-initialed, dated, and numbered by the artist, this work was published by Crown Point Press and printed by Renee Bott, making it a significant piece within Diebenkorn’s exploration of printmaking. This edition is limited to 85, with an additional 10 artist proofs.

Artwork Copyright © Richard Diebenkorn

Richard Diebenkorn

Green Tree Spade, 1982

Limited Edition Print

Mixed Media

USD 8,790

Richard Diebenkorn

Spade Drypoint, 1982

Limited Edition Print

Drypoint

Inquire For Price

Richard Diebenkorn

Sugarlift Spade, 1982

Limited Edition Print

Aquatint

Inquire For Price

Richard Diebenkorn

Touch Red, 1991

Limited Edition Print

Mixed Media

Inquire For Price

Richard Diebenkorn

Seated Woman, 1965

Limited Edition Print

Lithograph

USD 3,250

Richard Diebenkorn

Double Map Of Ireland, 1990

Limited Edition Print

Etching

USD 2,990

Richard Diebenkorn

Coat IV, 1990

Limited Edition Print

Etching

USD 2,650

Richard Diebenkorn

Untitled (for Harvey Gantt), 1990

Limited Edition Print

Lithograph

USD 3,400

Richard Diebenkorn

Untitled (from Club/Spade Group '81-82), 1986

Limited Edition Print

Lithograph

Inquire For Price

Richard Diebenkorn

Seated Woman In Arm Chair, 1965

Limited Edition Print

Lithograph

Currently Not Available

Richard Diebenkorn

Softground Y, 1982

Limited Edition Print

Etching

Currently Not Available

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What is Bay Area Figurative Art ?

The Bay Area Figurative Movement, which also goes by the names Bay Area Figurative School, Bay Area Figurative Art, or Bay Area Figuration, came to existence in San-Francisco Bay Area. This was in the mid-20th century, when a group of artists from the area stopped working on the then popular Abstract Expressionism for a preference to figuration in painting. The movement lasted a total of two decades during the 1950's and 1960's.

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