Sam Francis

Untitled, 1984

106.7 X 73 inch

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Softground Cross, from Four Softgrounds

Richard Diebenkorn, Two Way, etching with black border, abstract geometric shapes, and delicate lines on Rives BFK paper.

Softground etching with drypoint on Rives BFK paper - Published by Crown Point Press, San Francisco - Plate: 45.4 by 60 cm 17 by 23 in; Sheet: 67 by 102 cm 26 by 40¼ in // Richard Diebenkorn's Two Way (1982) is an etching that blends softground and drypoint techniques to create a delicate yet structured composition. Executed on Rives BFK paper, the work features a series of overlapping lines and geometric shapes, suggesting both architectural forms and abstract spatial relationships. A heavy black border encloses subtle linear elements and faint marks, evoking a sense of containment and openness simultaneously. The restrained palette and minimalist form exemplify Diebenkorn’s fascination with balance and spatial dynamics, as seen in his Ocean Park series. Published by Crown Point Press, San Francisco, the print’s clean, linear aesthetic invites viewers to explore its quiet complexity.

Artwork Copyright © Richard Diebenkorn

Two Way, 1982

form

Medium

Edition

Softground etching with drypoint on Rives BFK paper - Published by Crown Point Press, San Francisco - Plate: 45.4 by 60 cm 17 by 23 in; Sheet: 67 by 102 cm 26 by 40¼ in // Richard Diebenkorn's Two Way (1982) is an etching that blends softground and drypoint techniques to create a delicate yet structured composition. Executed on Rives BFK paper, the work features a series of overlapping lines and geometric shapes, suggesting both architectural forms and abstract spatial relationships. A heavy black border encloses subtle linear elements and faint marks, evoking a sense of containment and openness simultaneously. The restrained palette and minimalist form exemplify Diebenkorn’s fascination with balance and spatial dynamics, as seen in his Ocean Park series. Published by Crown Point Press, San Francisco, the print’s clean, linear aesthetic invites viewers to explore its quiet complexity.

Artwork Copyright © Richard Diebenkorn

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What is Gestural?

Gestural art is a term that describes painting with freely sweeping brushstrokes. The primary goal of gestural art is to allow the artist to physically express emotional impulses. The varied, yet expressive paint marks are intended to convey the artist's inner thoughts and emotions, which viewers are believed to understand through the dynamic and spontaneous application of paint.

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Richard Diebenkorn

Richard Diebenkorn

Two Way, 1982

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