Sam Francis

Untitled, 1984

106.7 X 73 inch

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Richard Serra | Ballast I | Etching available for sale on www.composition.gallery
Richard Serra was an American artist known primarily for his large-scale outdoor sculptures made of sheet metal and for his avant garde video work. His work is in the permanent collections of such institutions as the Guggenheim Museum in Bilbao, Spain, and the Museum of Modern Art (MoMA). He has been the recipient of many awards Read More
Artwork Copyright © Richard Serra

Ballast I, 2011

form
Medium

Edition of 45 on Hahnemühle Copperplate - Warm White 300gsm paper

Richard Serra was an American artist known primarily for his large-scale outdoor sculptures made of sheet metal and for his avant garde video work. His work is in the permanent collections of such institutions as the Guggenheim Museum in Bilbao, Spain, and the Museum of Modern Art (MoMA). He has been the recipient of many awards Read More
Artwork Copyright © Richard Serra

Richard Serra

Between The Torus And The Sphere III, 2006

Limited Edition Print

Etching

EUR 20,000 - 30,000

Richard Serra

Between The Torus And The Sphere IV, 2006

Limited Edition Print

Etching

EUR 20,000 - 30,000

Richard Serra

Transversal #4, 2004

Limited Edition Print

Etching

EUR 35,000 - 50,000

Richard Serra

Extensión # 3, 2004

Limited Edition Print

Etching

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Richard Serra

Extensión # 2, 2004

Limited Edition Print

Etching

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Richard Serra

Sketch 3, 1983

Limited Edition Print

Lithograph

Currently Not Available

Richard Serra

Paths And Edges # 8, 2007

Limited Edition Print

Etching

Currently Not Available

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What is site specific art?

Site-Specific Art is a form of artwork created to exist in a particular location, with the artist considering the site as an integral part of the creative process. Robert Irwin was a key figure in promoting this art form in California. Site-Specific Art emerged as a reaction against modernist objects, which were often portable, commodified, and confined to museum spaces. In contrast, Site-Specific Art is inherently tied to its location, challenging the traditional notions of art as a transportable and marketable commodity.

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