Sam Francis

Untitled, 1984

106.7 X 73 inch

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Paths and edges # 8

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Between the Torus and the Sphere IV

Between the Torus and the Sphere III, 2006 etching, black arcs on textured white background, signed, edition of 45, 100 x 100 cm.
Richard Serra was an American artist known primarily for his large-scale outdoor sculptures made of sheet metal and for his avant garde video work. His work is in the permanent collections of such institutions as the Guggenheim Museum in Bilbao, Spain, and the Museum of Modern Art (MoMA). He has been the recipient of many awards Read More
Artwork Copyright © Richard Serra

Between the Torus and the Sphere III, 2006

form
Medium

Between the Torus and the Sphere III (2006) is a striking etching that features sweeping black arcs (...) Show More
Richard Serra was an American artist known primarily for his large-scale outdoor sculptures made of sheet metal and for his avant garde video work. His work is in the permanent collections of such institutions as the Guggenheim Museum in Bilbao, Spain, and the Museum of Modern Art (MoMA). He has been the recipient of many awards Read More
Artwork Copyright © Richard Serra

Richard Serra

Between The Torus And The Sphere III, 2006

Limited Edition Print

Etching

EUR 20,000 - 30,000

Richard Serra

Between The Torus And The Sphere IV, 2006

Limited Edition Print

Etching

EUR 20,000 - 30,000

Richard Serra

Transversal #4, 2004

Limited Edition Print

Etching

EUR 35,000 - 50,000

Richard Serra

Extensión # 3, 2004

Limited Edition Print

Etching

Inquire For Price

Richard Serra

Extensión # 2, 2004

Limited Edition Print

Etching

Inquire For Price

Richard Serra

Sketch 3, 1983

Limited Edition Print

Lithograph

Currently Not Available

Richard Serra

Paths And Edges # 8, 2007

Limited Edition Print

Etching

Currently Not Available

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What is Arte Povera?

A movement and style in art that originated in Italy during the 1960s. It integrates elements of minimalism, performance art, and conceptual art by using everyday or seemingly worthless materials, such as newspapers, stones, or rags. The goal was to challenge and subvert the commercialization of art.

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