
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Artist
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From the Men in the Cities portfolio - Chromogenic print on photography paper - Hand-signed by the artist in felt tip pen, and numbered - Accompanied by the hardcover book 'Men in the Cities' by Robert Longo // Eric by Robert Longo, originally photographed in 1979 and reprinted in 2009, is part of the renowned Men in the Cities series. This C-print features a figure dressed in business attire, captured mid-motion against the backdrop of an urban skyline with a bridge visible in the distance. The dynamic pose and dramatic tension in the figure’s body convey a sense of struggle, movement, and balance. The composition, emphasizing both the isolation and intensity of modern life, showcases Longo's exploration of the human form in motion. This print is hand-signed and numbered by the artist in felt tip pen, and it is accompanied by the hardcover book Men in the Cities, providing deeper context to this iconic series.
Eric, 1979 / 2009
form
Medium
Size
25.5 x 18.5 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
From the Men in the Cities portfolio - Chromogenic print on photography paper - Hand-signed by the artist in felt tip pen, and numbered - Accompanied by the hardcover book 'Men in the Cities' by Robert Longo // Eric by Robert Longo, originally photographed in 1979 and reprinted in 2009, is part of the renowned Men in the Cities series. This C-print features a figure dressed in business attire, captured mid-motion against the backdrop of an urban skyline with a bridge visible in the distance. The dynamic pose and dramatic tension in the figure’s body convey a sense of struggle, movement, and balance. The composition, emphasizing both the isolation and intensity of modern life, showcases Longo's exploration of the human form in motion. This print is hand-signed and numbered by the artist in felt tip pen, and it is accompanied by the hardcover book Men in the Cities, providing deeper context to this iconic series.
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Robert Longo
Gretchen & Jules (Men In The Cities), 1982; 1983
Limited Edition Print
Lithograph
Inquire For Price
Robert Longo
Jules, From Men In The Cities, 2002
Limited Edition Print
Lithograph
USD 40,000 - 45,000
Robert Longo
Gretchen, From Men In The Cities, 2002
Limited Edition Print
Lithograph
USD 40,000 - 50,000
Robert Longo
Barbara, From Men In The Cities, 1998
Limited Edition Print
Lithograph
USD 40,000 - 50,000
Robert Longo
Men In The Cities, Tokyo, Seibu Department Stores, Ltd. IV (Single Woman), 1990
Limited Edition Print
Lithograph
USD 30,000 - 40,000
Robert Longo
Cindy From Men In The Cities, 2000
Limited Edition Print
Lithograph
USD 82,000 - 90,000
Robert Longo
Joseph (from The Men In The Cities Series), 2000
Limited Edition Print
Lithograph
USD 58,000 - 65,000
Robert Longo
Men In The Cities, Tokyo, Seibu Department Stores, Ltd. I (3 Men), 1990
Limited Edition Print
Lithograph
USD 23,500
Robert Longo
Men In The Cities, Tokyo, Seibu Department Stores, Ltd. II (3 Women), 1990
Limited Edition Print
Lithograph
USD 22,500
Robert Longo
Eric From Men In The Cities (color), 2014
Limited Edition Print
Archival Print
USD 7,200
Robert Longo
Gun (from The Hope And Optimism Portfolio), 1993
Limited Edition Print
Screen-print
Inquire For Price
Robert Longo
Men In The Cities, Tokyo, Seibu Department Stores, Ltd. III (Mixed), 1990
Limited Edition Print
Lithograph
USD 23,500
Robert Longo
Essentials (from The Forty Are Better Than One Series), 2009
Limited Edition Print
Pigment Print
Inquire For Price
Robert Longo
Untitled (Gun), From The Hope And Optimism Portfolio, 1993
Limited Edition Print
Screen-print
USD 17,800
What is new figuration?
Neo-Figurative Art is a collective term that refers to the revival of figurative art in America and Europe during the 1960s, following a period dominated by abstraction. Michel Ragon, a French art critic, argued that this resurgence of figuration occurred during a critical time of social and political upheaval in both regions.