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Screenprint on J.B. Green paper - Published by Marlborough Graphics, Inc., New York - Initialed and numbered in pencil - Literature: Belknap 58 // No. 12 (from The Basque Suite) by Robert Motherwell is a 1971 screen-print that exemplifies the artist's abstract expressionist style. The artwork features a large black gestural form that dominates the composition, set against a bold rectangular block of orange in the upper part of the piece. The black shape has a textured, almost calligraphic quality, with strokes and splashes that convey a sense of movement and spontaneity. The bright orange block provides a striking contrast, anchoring the composition and drawing attention to the dynamic tension between the colors and forms. Motherwell's works often explore themes of political and emotional conflict, and this piece, part of The Basque Suite, may reference his long-standing interest in the Spanish Civil War and the Basque region.
No. 12 (from The Basque Suite), 1971
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57.2 x 44.5 cm
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Screenprint on J.B. Green paper - Published by Marlborough Graphics, Inc., New York - Initialed and numbered in pencil - Literature: Belknap 58 // No. 12 (from The Basque Suite) by Robert Motherwell is a 1971 screen-print that exemplifies the artist's abstract expressionist style. The artwork features a large black gestural form that dominates the composition, set against a bold rectangular block of orange in the upper part of the piece. The black shape has a textured, almost calligraphic quality, with strokes and splashes that convey a sense of movement and spontaneity. The bright orange block provides a striking contrast, anchoring the composition and drawing attention to the dynamic tension between the colors and forms. Motherwell's works often explore themes of political and emotional conflict, and this piece, part of The Basque Suite, may reference his long-standing interest in the Spanish Civil War and the Basque region.
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What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.