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Screenprint on J.B. Green paper - Published by Marlborough Graphics, Inc., New York - Initialed and numbered in pencil - Literature: Belknap 58 // No. 12 (from The Basque Suite) by Robert Motherwell is a 1971 screen-print that exemplifies the artist's abstract expressionist style. The artwork features a large black gestural form that dominates the composition, set against a bold rectangular block of orange in the upper part of the piece. The black shape has a textured, almost calligraphic quality, with strokes and splashes that convey a sense of movement and spontaneity. The bright orange block provides a striking contrast, anchoring the composition and drawing attention to the dynamic tension between the colors and forms. Motherwell's works often explore themes of political and emotional conflict, and this piece, part of The Basque Suite, may reference his long-standing interest in the Spanish Civil War and the Basque region.
No. 12 (from The Basque Suite), 1971
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57.2 x 44.5 cm
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Screenprint on J.B. Green paper - Published by Marlborough Graphics, Inc., New York - Initialed and numbered in pencil - Literature: Belknap 58 // No. 12 (from The Basque Suite) by Robert Motherwell is a 1971 screen-print that exemplifies the artist's abstract expressionist style. The artwork features a large black gestural form that dominates the composition, set against a bold rectangular block of orange in the upper part of the piece. The black shape has a textured, almost calligraphic quality, with strokes and splashes that convey a sense of movement and spontaneity. The bright orange block provides a striking contrast, anchoring the composition and drawing attention to the dynamic tension between the colors and forms. Motherwell's works often explore themes of political and emotional conflict, and this piece, part of The Basque Suite, may reference his long-standing interest in the Spanish Civil War and the Basque region.
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Who are the American Abstract Artists (AAA) ?
American Abstract Artists (AAA) is an organization founded in New York City in 1936 to promote abstract art and its appreciation in the United States. At a time when abstract art faced strong opposition from critics, the AAA provided crucial exhibition opportunities for abstract artists, helping to foster the growth and acceptance of the movement.