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Color Aquatint and lift-ground etching on paper - Signed and Numbered // Robert Motherwell’s Primal Sign I (1979-1980) is a limited edition print that combines the techniques of aquatint and lift-ground etching. Measuring 23.5 x 18 inches, this piece features a bold, abstract form in deep black on a rich brown background. The central figure resembles a simplified, primal symbol, evoking themes of ancient markings or rudimentary human communication. Motherwell’s characteristic minimalist approach is evident in the simplicity of the form, allowing the texture and depth of the colors to create a powerful visual impact. The piece is signed and numbered, making it part of a limited series that showcases Motherwell's exploration of abstract expressionism and the use of symbolic shapes.
Primal Sign I, 1979-1980
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Medium
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59.7 x 45.7 cm
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Price
Details
Artist
Styles
Color Aquatint and lift-ground etching on paper - Signed and Numbered // Robert Motherwell’s Primal Sign I (1979-1980) is a limited edition print that combines the techniques of aquatint and lift-ground etching. Measuring 23.5 x 18 inches, this piece features a bold, abstract form in deep black on a rich brown background. The central figure resembles a simplified, primal symbol, evoking themes of ancient markings or rudimentary human communication. Motherwell’s characteristic minimalist approach is evident in the simplicity of the form, allowing the texture and depth of the colors to create a powerful visual impact. The piece is signed and numbered, making it part of a limited series that showcases Motherwell's exploration of abstract expressionism and the use of symbolic shapes.
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Lithograph
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Robert Motherwell
Primal Sign I, 1979-1980
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Inquire For Price
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Robert Motherwell
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Limited Edition Print
Lithograph
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Limited Edition Print
Lithograph
Inquire For Price
Robert Motherwell
No. 12 (from The Basque Suite), 1971
Limited Edition Print
Screen-print
Currently Not Available
Who are the American Abstract Artists (AAA) ?
American Abstract Artists (AAA) is an organization founded in New York City in 1936 to promote abstract art and its appreciation in the United States. At a time when abstract art faced strong opposition from critics, the AAA provided crucial exhibition opportunities for abstract artists, helping to foster the growth and acceptance of the movement.