Details
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From the portfolio "Una temporada en infierno" (A season in hell) - Portfolio of 10 works illustrating the poem by Arthur Rimbaud - On Arches paper, numbered and signed by Matta - Printing in Paris in 1978 - Published by Oditions Georges Visat. // Roberto Matta's L'âme Est Une Inconnue (The Soul Is an Unknown) is an etching from 1978, forming part of the portfolio Una temporada en infierno (A Season in Hell), inspired by Arthur Rimbaud’s poem. The piece exemplifies Matta's surrealistic and abstract style, showcasing a vivid composition filled with dynamic forms, swirling lines, and contrasting colors. Dominated by red, black, and luminous highlights, the etching features an enigmatic cube and cosmic elements that evoke a sense of mystery and depth. The work creates an otherworldly atmosphere, inviting viewers to explore the complex interplay of shapes and colors that symbolize the metaphysical and existential themes Matta frequently explored. Printed on Arches paper, each piece is signed and numbered, emphasizing its exclusivity as part of an edition of 100. Published by Editions Georges Visat in Paris, this work continues Matta’s tradition of challenging perceptions of reality and consciousness.
L'âme Est Une Inconnue, 1978
form
Medium
Size
67 x 51 cm
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Details
Artist
Styles
From the portfolio "Una temporada en infierno" (A season in hell) - Portfolio of 10 works illustrating the poem by Arthur Rimbaud - On Arches paper, numbered and signed by Matta - Printing in Paris in 1978 - Published by Oditions Georges Visat. // Roberto Matta's L'âme Est Une Inconnue (The Soul Is an Unknown) is an etching from 1978, forming part of the portfolio Una temporada en infierno (A Season in Hell), inspired by Arthur Rimbaud’s poem. The piece exemplifies Matta's surrealistic and abstract style, showcasing a vivid composition filled with dynamic forms, swirling lines, and contrasting colors. Dominated by red, black, and luminous highlights, the etching features an enigmatic cube and cosmic elements that evoke a sense of mystery and depth. The work creates an otherworldly atmosphere, inviting viewers to explore the complex interplay of shapes and colors that symbolize the metaphysical and existential themes Matta frequently explored. Printed on Arches paper, each piece is signed and numbered, emphasizing its exclusivity as part of an edition of 100. Published by Editions Georges Visat in Paris, this work continues Matta’s tradition of challenging perceptions of reality and consciousness.
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Drawing / Watercolor
Mixed Media
USD 13,000 - 15,000
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Limited Edition Print
Lithograph
Inquire For Price
Roberto Matta
Untitled 212 (From The New School), 1980
Limited Edition Print
Etching And Aquatint
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Roberto Matta
Untitled (from Così Fan Tutte) #7, 1970
Limited Edition Print
Etching And Aquatint
USD 1,875
Roberto Matta
Untitled (from Così Fan Tutte) #6, 1970
Limited Edition Print
Etching And Aquatint
USD 1,875
Roberto Matta
Untitled (from Così Fan Tutte) #5, 1970
Limited Edition Print
Etching And Aquatint
USD 1,875
Roberto Matta
Untitled (from Così Fan Tutte) #3, 1970
Limited Edition Print
Etching And Aquatint
USD 1,875
Roberto Matta
Untitled (from Così Fan Tutte) #2, 1970
Limited Edition Print
Etching And Aquatint
USD 1,875
Roberto Matta
Untitled (from Così Fan Tutte) #1, 1970
Limited Edition Print
Etching And Aquatint
USD 1,875
Roberto Matta
Hommage A Federico Garcia Lorca, 1999
Limited Edition Print
Silkscreen
Currently Not Available
What is late modernism?
Late Modernism refers to the continuation and evolution of Modernist principles in art, architecture, and literature from the mid-20th century into the late 20th century. This movement maintains a focus on form, abstraction, and the rejection of traditional styles, but it often incorporates more complexity and ambiguity compared to early Modernism. Late Modernism explores themes such as alienation, identity, and the fragmentation of reality, reflecting the social and cultural shifts of the post-war period. It is seen in the works of architects like Louis Kahn and artists like Francis Bacon, who pushed the boundaries of Modernism while responding to the changing world around them.
