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Artist's book with original screen print in slipcase. - "Pierre Klossowski/Pierre Zucca: living money (1982)" - Each print is overpainted with gold color - each work is therefore unique // Life 1 by Rosemarie Trockel, created in 2005, is a silkscreen print that revisits and manipulates a famous Life magazine cover from November 2, 1964, featuring actress Shirley Eaton in her iconic gold-painted role from the James Bond film Goldfinger. Trockel’s work overlays the original imagery with gold paint, making each print in the limited edition series a unique piece. The deliberate use of metallic gold emphasizes the themes of glamour, commodification, and the objectification of women in popular culture. By altering this classic image, Trockel critiques the allure and fetishization present in media representations of femininity. The gold overlays transform the piece, merging nostalgia with contemporary commentary on identity and societal values.
Life 1, 2005
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120 x 90 cm
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Details
Artist
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Artist's book with original screen print in slipcase. - "Pierre Klossowski/Pierre Zucca: living money (1982)" - Each print is overpainted with gold color - each work is therefore unique // Life 1 by Rosemarie Trockel, created in 2005, is a silkscreen print that revisits and manipulates a famous Life magazine cover from November 2, 1964, featuring actress Shirley Eaton in her iconic gold-painted role from the James Bond film Goldfinger. Trockel’s work overlays the original imagery with gold paint, making each print in the limited edition series a unique piece. The deliberate use of metallic gold emphasizes the themes of glamour, commodification, and the objectification of women in popular culture. By altering this classic image, Trockel critiques the allure and fetishization present in media representations of femininity. The gold overlays transform the piece, merging nostalgia with contemporary commentary on identity and societal values.
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What is Gestural?
Gestural art is a term that describes painting with freely sweeping brushstrokes. The primary goal of gestural art is to allow the artist to physically express emotional impulses. The varied, yet expressive paint marks are intended to convey the artist's inner thoughts and emotions, which viewers are believed to understand through the dynamic and spontaneous application of paint.