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American Indian Theme V, from the American Indian series - Literature: Corlett 164 - Woodcut in colors on handmade Suzuki paper - Signed in pencil, dated and numbered - With the blindstamp of the publisher/printer, Tyler Graphics Ltd., Mount Kisco, New York - Image 23 3/16 x 33 5/16in (59 x 84.6 cm) - Sheet 31 7/8 x 41 1/4in (81 x 104.8cm) // Roy Lichtenstein’s 'American Indian Theme V' (1980) is a colorful and dynamic woodcut that belongs to his American Indian series. The composition features bold, graphic elements that are characteristic of Lichtenstein’s pop art style, combining his signature Ben-Day dots and thick black outlines with geometric shapes and patterns. The central figure in the piece is an abstracted face, marked by dashed lines and a mix of sharp and curved forms, evoking both modernist abstraction and indigenous art motifs. The face is juxtaposed with angular, zigzagging designs and diamond shapes, adding a layer of complexity to the composition. The vivid color palette of yellow, blue, red, black, and white further intensifies the visual impact, while the contrast between flat planes of color and intricate textures enhances the depth of the piece. The woodcut technique on handmade Suzuki paper gives the artwork a tactile quality, reflecting Lichtenstein’s experimentation with different printmaking processes. Signed, dated, and numbered by the artist, this work was produced in a limited edition of 50, plus 18 artist proofs, and features the blindstamp of the publisher, Tyler Graphics Ltd., a notable print workshop in New York.
American Indian Theme V, 1980
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59 x 84.6 cm
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Details
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American Indian Theme V, from the American Indian series - Literature: Corlett 164 - Woodcut in colors on handmade Suzuki paper - Signed in pencil, dated and numbered - With the blindstamp of the publisher/printer, Tyler Graphics Ltd., Mount Kisco, New York - Image 23 3/16 x 33 5/16in (59 x 84.6 cm) - Sheet 31 7/8 x 41 1/4in (81 x 104.8cm) // Roy Lichtenstein’s 'American Indian Theme V' (1980) is a colorful and dynamic woodcut that belongs to his American Indian series. The composition features bold, graphic elements that are characteristic of Lichtenstein’s pop art style, combining his signature Ben-Day dots and thick black outlines with geometric shapes and patterns. The central figure in the piece is an abstracted face, marked by dashed lines and a mix of sharp and curved forms, evoking both modernist abstraction and indigenous art motifs. The face is juxtaposed with angular, zigzagging designs and diamond shapes, adding a layer of complexity to the composition. The vivid color palette of yellow, blue, red, black, and white further intensifies the visual impact, while the contrast between flat planes of color and intricate textures enhances the depth of the piece. The woodcut technique on handmade Suzuki paper gives the artwork a tactile quality, reflecting Lichtenstein’s experimentation with different printmaking processes. Signed, dated, and numbered by the artist, this work was produced in a limited edition of 50, plus 18 artist proofs, and features the blindstamp of the publisher, Tyler Graphics Ltd., a notable print workshop in New York.
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What is pop-art?
Pop Art is an art movement that began in Britain in 1955 and in the late 1950s in the U.S. It challenged traditional fine arts by incorporating imagery from popular culture, such as news, advertising, and comic books. Pop Art often isolates and recontextualizes materials, combining them with unrelated elements. The movement is more about the attitudes and ideas that inspired it than the specific art itself. Pop Art is seen as a reaction against the dominant ideas of Abstract Expressionism, bringing everyday consumer culture into the realm of fine art.