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Screenprint, lithograph, and collage with embossing on Rives BFK paper - Hand-signed by artist - Blind stamp, lower right: (Tyler Graphics Ltd). Workshop number on verso - Published by Tyler Graphics Ltd., Bedford Village, New York // Roy Lichtenstein’s Entablature III (140) (1976) is part of his Entablature series, in which he reinterprets classical architectural motifs using modern pop-art techniques. This piece is a striking combination of screen print, lithography, collage, and embossing, featuring horizontal bands that are reminiscent of architectural friezes. The central portion of the artwork is dominated by a golden, metallic texture, embossed with clean lines and geometric details that evoke classical architectural reliefs. Above and below, decorative black and white motifs, including a Greek key design, frame the central element. A striped pattern with a yellow dashed line adds further structure and visual balance to the piece. Lichtenstein’s use of embossing creates a sense of depth, while the polished gold surface adds a luxurious and reflective quality. The work juxtaposes historical and contemporary aesthetics, blending high art references with the sleek and polished look of modern design, characteristic of Lichtenstein’s innovative approach to pop art.
Entablature III (140), 1976
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74.1 x 114 cm
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Details
Artist
Styles
Screenprint, lithograph, and collage with embossing on Rives BFK paper - Hand-signed by artist - Blind stamp, lower right: (Tyler Graphics Ltd). Workshop number on verso - Published by Tyler Graphics Ltd., Bedford Village, New York // Roy Lichtenstein’s Entablature III (140) (1976) is part of his Entablature series, in which he reinterprets classical architectural motifs using modern pop-art techniques. This piece is a striking combination of screen print, lithography, collage, and embossing, featuring horizontal bands that are reminiscent of architectural friezes. The central portion of the artwork is dominated by a golden, metallic texture, embossed with clean lines and geometric details that evoke classical architectural reliefs. Above and below, decorative black and white motifs, including a Greek key design, frame the central element. A striped pattern with a yellow dashed line adds further structure and visual balance to the piece. Lichtenstein’s use of embossing creates a sense of depth, while the polished gold surface adds a luxurious and reflective quality. The work juxtaposes historical and contemporary aesthetics, blending high art references with the sleek and polished look of modern design, characteristic of Lichtenstein’s innovative approach to pop art.
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Currently Not Available
What is site specific art?
Site-Specific Art is a form of artwork created to exist in a particular location, with the artist considering the site as an integral part of the creative process. Robert Irwin was a key figure in promoting this art form in California. Site-Specific Art emerged as a reaction against modernist objects, which were often portable, commodified, and confined to museum spaces. In contrast, Site-Specific Art is inherently tied to its location, challenging the traditional notions of art as a transportable and marketable commodity.