Sam Francis

Untitled, 1984

106.7 X 73 inch

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Entablature V (142)

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Entablature III (140)

Roy Lichtenstein’s Entablature IV (141), mixed media, 1976. Beige central band with decorative black, white, and navy motifs and embossed scrollwork.
Roy Lichtenstein’s Entablature IV (141), mixed media, 1976. Beige central band with decorative black, white, and navy motifs and embossed scrollwork.
Roy Lichtenstein’s Entablature IV (141), mixed media, 1976. Beige central band with decorative black, white, and navy motifs and embossed scrollwork.

Screenprint, lithograph, and collage with embossing on Rives BFK paper - Hand-signed by artist - Blind stamp, lower right: (Tyler Graphics Ltd). Workshop number on verso - Published by Tyler Graphics Ltd., Bedford Village, New York // Roy Lichtenstein’s Entablature IV (141) (1976) is a visually striking work from his Entablature series, blending screen printing, lithography, collage, and embossing to evoke classical architectural forms in a pop-art context. This piece features a horizontal composition of clean lines and stylized ornamental motifs. A large beige panel dominates the center, bordered by decorative bands. The top of the piece displays a simplified wave pattern in black and white, while the bottom features an embossed relief of wave-like scrolls in white, set against bold navy blue and white stripes. The inclusion of a yellow dashed line between sections adds a touch of modernity and graphic intensity. Lichtenstein masterfully contrasts the flatness of pop art with the depth created by embossing, achieving a layered effect that references classical entablatures while also playing with abstraction and modern design. This artwork is a fusion of historical architecture and contemporary artistic techniques, making it both timeless and innovative.

Artwork Copyright © Roy Lichtenstein

Entablature IV (141), 1976

form

Medium

Edition

Screenprint, lithograph, and collage with embossing on Rives BFK paper - Hand-signed by artist - Blind stamp, lower right: (Tyler Graphics Ltd). Workshop number on verso - Published by Tyler Graphics Ltd., Bedford Village, New York // Roy Lichtenstein’s Entablature IV (141) (1976) is a visually striking work from his Entablature series, blending screen printing, lithography, collage, and embossing to evoke classical architectural forms in a pop-art context. This piece features a horizontal composition of clean lines and stylized ornamental motifs. A large beige panel dominates the center, bordered by decorative bands. The top of the piece displays a simplified wave pattern in black and white, while the bottom features an embossed relief of wave-like scrolls in white, set against bold navy blue and white stripes. The inclusion of a yellow dashed line between sections adds a touch of modernity and graphic intensity. Lichtenstein masterfully contrasts the flatness of pop art with the depth created by embossing, achieving a layered effect that references classical entablatures while also playing with abstraction and modern design. This artwork is a fusion of historical architecture and contemporary artistic techniques, making it both timeless and innovative.

Artwork Copyright © Roy Lichtenstein

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Roy Lichtenstein

Pyramids, 1969

Limited Edition Print

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USD 17,500

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Two Apples, 1983

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USD 14,850

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Limited Edition Print

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Limited Edition Print

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Limited Edition Print

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Roy Lichtenstein

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Screen-print

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What is site specific art?

Site-Specific Art is a form of artwork created to exist in a particular location, with the artist considering the site as an integral part of the creative process. Robert Irwin was a key figure in promoting this art form in California. Site-Specific Art emerged as a reaction against modernist objects, which were often portable, commodified, and confined to museum spaces. In contrast, Site-Specific Art is inherently tied to its location, challenging the traditional notions of art as a transportable and marketable commodity.

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