


Details
Artist
Styles
screenprint in colors - image: 15¼ h × 8¾ w in (39 × 22 cm) - sheet: 15h × 20¾ w in (40 × 53 cm) - This work is from the edition of unknown size published by Multiples, Inc., New York. // Roy Lichtenstein's Pistol (from Banner, Multiples Calendar) is a 1968 screen-print that showcases the artist's iconic pop art style. The piece prominently features a large revolver pointing directly toward the viewer, symbolizing both power and confrontation. The gun is rendered in black and white with Lichtenstein's signature Ben-Day dots, contrasting against a bold red vertical background that slices through the center of the artwork. The stark design emphasizes the mechanics of the object and plays on the themes of violence and commercial culture. Printed on a calendar format, the artwork juxtaposes everyday scheduling with a provocative image, further critiquing consumerism.
Pistol (from Banner, Multiples Calendar, 1968
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40 x 53 cm
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Details
Artist
Styles
screenprint in colors - image: 15¼ h × 8¾ w in (39 × 22 cm) - sheet: 15h × 20¾ w in (40 × 53 cm) - This work is from the edition of unknown size published by Multiples, Inc., New York. // Roy Lichtenstein's Pistol (from Banner, Multiples Calendar) is a 1968 screen-print that showcases the artist's iconic pop art style. The piece prominently features a large revolver pointing directly toward the viewer, symbolizing both power and confrontation. The gun is rendered in black and white with Lichtenstein's signature Ben-Day dots, contrasting against a bold red vertical background that slices through the center of the artwork. The stark design emphasizes the mechanics of the object and plays on the themes of violence and commercial culture. Printed on a calendar format, the artwork juxtaposes everyday scheduling with a provocative image, further critiquing consumerism.
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Inquire For Price
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Currently Not Available
What is Comic Strip Art?
Comic strip art refers to artwork that utilizes the subject matter and commercial printing techniques found in comic strips. In the 1960s, a group of artists began creating paintings that incorporated Ben-Day dots—commonly used in comics and advertising—to produce highly graphic designs in bright colors, using traditional art media.