Sam Francis

Untitled, 1984

106.7 X 73 inch

Sally Mann's Untitled (White Columns), 1998, lithograph of white columns fading into a hazy atmosphere, evoking mystery and transience.

// Untitled (White Columns) by Sally Mann, created in 1998, is a lithograph that captures the haunting beauty of architectural elements in a soft, ethereal manner. The composition features a row of white columns receding into the distance, partially shrouded in an almost ghostly haze that blurs the boundaries between light and shadow. The atmospheric effect, achieved through Mann’s expert manipulation of light and tonal contrast, creates a sense of mystery and timelessness, transforming the solid structure into a dreamlike vision. This limited edition piece, measuring a substantial 96.5 x 120.7 cm, embodies Mann’s fascination with the ephemeral nature of memory and the past, inviting viewers to reflect on the intersections of permanence and transience.

Artwork Copyright © Sally Mann

Untitled (White Columns), 1998

form

Medium

Edition

// Untitled (White Columns) by Sally Mann, created in 1998, is a lithograph that captures the haunting beauty of architectural elements in a soft, ethereal manner. The composition features a row of white columns receding into the distance, partially shrouded in an almost ghostly haze that blurs the boundaries between light and shadow. The atmospheric effect, achieved through Mann’s expert manipulation of light and tonal contrast, creates a sense of mystery and timelessness, transforming the solid structure into a dreamlike vision. This limited edition piece, measuring a substantial 96.5 x 120.7 cm, embodies Mann’s fascination with the ephemeral nature of memory and the past, inviting viewers to reflect on the intersections of permanence and transience.

Artwork Copyright © Sally Mann

Sally Mann

Untitled (White Columns), 1998

Limited Edition Print

Lithograph

Currently Not Available

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What is ‘light and space’?

The Light and Space Movement refers to loosely affiliated art movements connected to minimalism, geometric abstraction, and op art that originated in Southern California in the 1960s. Greatly influenced by artist John McLaughlin, these artists focused on sensory phenomena such as light, perception, and space as central elements of their work. They also incorporated cutting-edge technologies from the aerospace and engineering industries to develop light-filled and sensuous objects, creating immersive experiences that emphasize the viewer's perception.

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Sally Mann's Untitled (White Columns)

Sally Mann

Untitled (White Columns), 1998

Limited Edition Print

Lithograph

Currently Not Available

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