Details
Artist
Styles
Lithograph in colors, on wove paper - Hand-signed by artist // Sam Francis's Untitled - Memoire de la Liberté Portfolio (SF-346) (1991) is a vibrant lithograph that embodies the artist's abstract expressionist style. The piece showcases bold splashes of color—primarily deep blue, green, red, and yellow—arranged in a dynamic, circular composition against a white background. The central blue ring draws the viewer's attention, encircling an inner pattern of intersecting lines and splatters, evoking a sense of movement and spontaneity. Francis’s use of energetic brushstrokes and layered textures creates a feeling of freedom and fluidity, reflective of his exploration of color and form. The work is hand-signed by the artist, emphasizing its uniqueness within this limited edition series.
Untitled - Memoire de la Liberté Portfolio (SF-346), 1991
form
Medium
Size
75.9 x 118 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
Lithograph in colors, on wove paper - Hand-signed by artist // Sam Francis's Untitled - Memoire de la Liberté Portfolio (SF-346) (1991) is a vibrant lithograph that embodies the artist's abstract expressionist style. The piece showcases bold splashes of color—primarily deep blue, green, red, and yellow—arranged in a dynamic, circular composition against a white background. The central blue ring draws the viewer's attention, encircling an inner pattern of intersecting lines and splatters, evoking a sense of movement and spontaneity. Francis’s use of energetic brushstrokes and layered textures creates a feeling of freedom and fluidity, reflective of his exploration of color and form. The work is hand-signed by the artist, emphasizing its uniqueness within this limited edition series.
- Recently Added
- Price (low-high )
- Price (high-low )
- Year (low-high )
- Year (high-low )
Sam Francis
Untitled From 1 Cent Life Portfolio, 1964
Limited Edition Print
Lithograph
Currently Not Available
What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.
