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Aquatint in colors, on Whatman paper // Sam Francis' Untitled (SFE-014) from 1984 is a vibrant aquatint print executed on Whatman paper. This limited edition piece exemplifies Francis' dynamic abstract expressionism, with splashes of intense colors such as deep blues, reds, and purples blending and colliding across the composition. The energetic, almost chaotic movement of the colors, complemented by bold black accents and splatters, creates a sense of spontaneity and free flow, characteristic of Francis' approach. The artwork's vertical format intensifies the impression of movement and rhythm, inviting viewers to follow the cascading interplay of hues and forms.
Untitled (SFE-014), 1984
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88.9 x 48.3 cm
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Details
Artist
Styles
Aquatint in colors, on Whatman paper // Sam Francis' Untitled (SFE-014) from 1984 is a vibrant aquatint print executed on Whatman paper. This limited edition piece exemplifies Francis' dynamic abstract expressionism, with splashes of intense colors such as deep blues, reds, and purples blending and colliding across the composition. The energetic, almost chaotic movement of the colors, complemented by bold black accents and splatters, creates a sense of spontaneity and free flow, characteristic of Francis' approach. The artwork's vertical format intensifies the impression of movement and rhythm, inviting viewers to follow the cascading interplay of hues and forms.
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Sam Francis
Untitled From 1 Cent Life Portfolio, 1964
Limited Edition Print
Lithograph
Currently Not Available
What is abstract expressionism?
Abstract Expressionism is an art movement that emerged in the United States during the 1940s and 1950s. Characterized by large, abstract canvases, the movement emphasized spontaneous, expressive brushwork and the use of color and form to convey emotion rather than represent reality. Artists like Jackson Pollock, Mark Rothko, and Willem de Kooning are key figures in this movement. Abstract Expressionism marked a shift in the art world, making New York City a center of the international art scene.
