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8-color lithograph on Somerset Cream paper - from the Metropolitan Opera Fine Art II suite - Hand-signed and numbered in pencil - Published by the Metropolitan Opera Association & printed by American Atelier, New York. // Sandro Chia's Il Trovatore (1984) is an 8-color lithograph on Somerset Cream paper, measuring 30 x 22 cm, created as part of the Metropolitan Opera Fine Art II suite. This vibrant work captures a dynamic female figure amidst swirling, expressive strokes of red, blue, green, and earthy tones. The central figure, rendered with fluid lines and rich colors, exudes movement and emotion, embodying Chia's energetic and painterly style. The use of contrasting hues and the layered background evokes a sense of passion and theatrical intensity, reflecting the operatic inspiration behind the piece. Hand-signed and numbered by the artist, this print showcases Chia's distinctive approach to contemporary figurative art.
Il Trovatore, 1984
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76.2 x 55.9 cm
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8-color lithograph on Somerset Cream paper - from the Metropolitan Opera Fine Art II suite - Hand-signed and numbered in pencil - Published by the Metropolitan Opera Association & printed by American Atelier, New York. // Sandro Chia's Il Trovatore (1984) is an 8-color lithograph on Somerset Cream paper, measuring 30 x 22 cm, created as part of the Metropolitan Opera Fine Art II suite. This vibrant work captures a dynamic female figure amidst swirling, expressive strokes of red, blue, green, and earthy tones. The central figure, rendered with fluid lines and rich colors, exudes movement and emotion, embodying Chia's energetic and painterly style. The use of contrasting hues and the layered background evokes a sense of passion and theatrical intensity, reflecting the operatic inspiration behind the piece. Hand-signed and numbered by the artist, this print showcases Chia's distinctive approach to contemporary figurative art.
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What is Transvanguardia ?
Transavanguardia is the Italian version of Neo-Expressionism, referring to an art movement that emerged in Italy and other parts of Western Europe during the 1970s and 1980s. The term translates to beyond the avant-garde. Transavanguardia arose as a reaction against the dominance of conceptual art, reintroducing emotion and reviving painting as a primary medium. The movement marked a return to mythic imagery and figurative art, celebrating a rediscovery of traditional forms and themes in a contemporary context.