Sam Francis

Untitled, 1984

106.7 X 73 inch

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Mu nieltnam netorruprup.

Sigmar Polke’s Tisch mit umgekippter Kanne I, screen-print; tipped white jug on table spilling red, geometric liquid shape.
Sigmar Polke’s Tisch mit umgekippter Kanne I, screen-print; tipped white jug on table spilling red, geometric liquid shape.
Sigmar Polke’s Tisch mit umgekippter Kanne I, screen-print; tipped white jug on table spilling red, geometric liquid shape.
Sigmar Polke’s Tisch mit umgekippter Kanne I, screen-print; tipped white jug on table spilling red, geometric liquid shape.

Screenprint in colors, on board, the full sheet, S. 23 1/4 x 23 1/4 in. (59.1 x 59.1 cm) - signed, dated `70' (the edition was 100 and 20 artist's proofs), published by Cooperative Edition Hamburg, unframed. // Sigmar Polke's Tisch mit umgekippter Kanne I (1970) is a screen-print that plays with perception and abstraction. The image depicts a simple scene—a tipped-over white jug spilling a red, geometric liquid—on a dark table, rendered in a photorealistic yet surreal style. Polke combines photographic realism with graphic elements, transforming the liquid into a flat, unnatural shape that contrasts sharply with the otherwise realistic setting. This juxtaposition disrupts the viewer’s expectation, creating a playful commentary on the nature of representation and reality, typical of Polke’s experimental approach in the 1970s.

Artwork Copyright © Sigmar Polke

Tisch mit umgekippter Kanne I, 1970

form

Medium

Edition

Screenprint in colors, on board, the full sheet, S. 23 1/4 x 23 1/4 in. (59.1 x 59.1 cm) - signed, dated `70' (the edition was 100 and 20 artist's proofs), published by Cooperative Edition Hamburg, unframed. // Sigmar Polke's Tisch mit umgekippter Kanne I (1970) is a screen-print that plays with perception and abstraction. The image depicts a simple scene—a tipped-over white jug spilling a red, geometric liquid—on a dark table, rendered in a photorealistic yet surreal style. Polke combines photographic realism with graphic elements, transforming the liquid into a flat, unnatural shape that contrasts sharply with the otherwise realistic setting. This juxtaposition disrupts the viewer’s expectation, creating a playful commentary on the nature of representation and reality, typical of Polke’s experimental approach in the 1970s.

Artwork Copyright © Sigmar Polke

Sigmar Polke

Untitled (Columbus In Search Of A New Tomorrow), 1992

Limited Edition Print

Silkscreen

Inquire For Price

Sigmar Polke

Tisch Mit Umgekippter Kanne I, 1970

Limited Edition Print

Screen-print

Currently Not Available

Sigmar Polke

Mu Nieltnam Netorruprup., 1975

Limited Edition Print

Lithograph

Currently Not Available

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What is appropriation?

Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.

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