Details
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Stoneware and Glaze - signed by the artist - year: ca 2001 // South Side Wall Sculpture by Theaster Gates is a ceramic work crafted from stoneware and glaze, estimated to be from around 2001. This piece exudes a raw, earthy texture that reflects Gates’ deep connection to materiality and the cultural history of urban landscapes. The sculpture's surface features rough, organic patterns and subtle tonal shifts, with a distinctive arc that divides areas of warm terracotta and muted gray. Gates, known for his work with salvaged and reclaimed materials, often explores themes of community, memory, and transformation. This piece, with its industrial yet intimate feel, embodies a dialogue between urban decay and resilience, making it a powerful symbol of renewal and preservation.
South Side Wall Sculpture
form
Medium
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38 x 23 X 5 cm
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- Centimeters
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Price
Details
Artist
Styles
Stoneware and Glaze - signed by the artist - year: ca 2001 // South Side Wall Sculpture by Theaster Gates is a ceramic work crafted from stoneware and glaze, estimated to be from around 2001. This piece exudes a raw, earthy texture that reflects Gates’ deep connection to materiality and the cultural history of urban landscapes. The sculpture's surface features rough, organic patterns and subtle tonal shifts, with a distinctive arc that divides areas of warm terracotta and muted gray. Gates, known for his work with salvaged and reclaimed materials, often explores themes of community, memory, and transformation. This piece, with its industrial yet intimate feel, embodies a dialogue between urban decay and resilience, making it a powerful symbol of renewal and preservation.
What is appropriation?
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.
