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Color iris print on rag paper; Signed and numbered in pencil on the reverse; Unframed; Mint, as issued; // Nudes ree07 by Thomas Ruff, created in 2001, is an inkjet print that explores the boundaries of photographic clarity and intimacy. Through his signature use of intentional blurring and soft focus, Ruff abstracts the human form, inviting viewers to engage with themes of voyeurism and ambiguity. The figure in the artwork, partially clad in red underwear, is captured in a dreamlike haze, blurring the line between reality and obscurity. Ruff’s technique challenges traditional expectations of photography, emphasizing atmosphere and sensation over sharp detail. This limited-edition color iris print is signed and numbered on the reverse, exemplifying Ruff’s exploration of contemporary digital aesthetics.
Nudes ree07, 2001
form
Medium
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75 x 60 cm
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Price
Details
Artist
Styles
Color iris print on rag paper; Signed and numbered in pencil on the reverse; Unframed; Mint, as issued; // Nudes ree07 by Thomas Ruff, created in 2001, is an inkjet print that explores the boundaries of photographic clarity and intimacy. Through his signature use of intentional blurring and soft focus, Ruff abstracts the human form, inviting viewers to engage with themes of voyeurism and ambiguity. The figure in the artwork, partially clad in red underwear, is captured in a dreamlike haze, blurring the line between reality and obscurity. Ruff’s technique challenges traditional expectations of photography, emphasizing atmosphere and sensation over sharp detail. This limited-edition color iris print is signed and numbered on the reverse, exemplifying Ruff’s exploration of contemporary digital aesthetics.
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Thomas Ruff
Tripe_12 (Seeringham, Munduppum Inside Gateway), 2018
Photography
Inkjet Print
GBP 1,500 - 2,000
Thomas Ruff
Tripe_08 (Pugahm Myo. Thapinyu Pagoda), 2018
Limited Edition Print
Inkjet Print
GBP 1,500 - 2,000
What is the Dusseldorf school of photography?
The Düsseldorf School of Photography refers to a group of photographers who studied under Bernd and Hilla Becher at the Kunstakademie Düsseldorf during the 1970s. This group was known for its devotion to the black-and-white industrial images characteristic of the German tradition known as New Objectivity. The photographers focused on precise, methodical documentation of industrial structures, often using a detached and objective approach.