Sam Francis

Untitled, 1984

106.7 X 73 inch

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Substrat 21 III 2003/19

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Tripe_08 (Pugahm Myo. Thapinyu Pagoda)

Thomas Ruff's Tripe 09 inkjet print of a historic building surrounded by trees with faded, nostalgic tones on Rag Photographique Paper.
Thomas Ruff's Tripe 09 inkjet print of a historic building surrounded by trees with faded, nostalgic tones on Rag Photographique Paper.
Thomas Ruff's Tripe 09 inkjet print of a historic building surrounded by trees with faded, nostalgic tones on Rag Photographique Paper.
Thomas Ruff's Tripe 09 inkjet print of a historic building surrounded by trees with faded, nostalgic tones on Rag Photographique Paper.

Inkjet on Rag Photographique Paper. Photograph printed by Grieger, Dusseldorf, on high quality Rag Photographique Paper. Hand signed and numbered by the artist on the back. Presented inside a black portfolio folder that includes texts by Thomas Ruff and Martin Barnes, Senior Curator of the photography department of the V&A Museum. - Image size: 38.3 x 30 cm. // Tripe 09 by Thomas Ruff, a 2018 inkjet print on Rag Photographique Paper, captures the essence of a historical landscape with an ethereal quality. The image presents an architectural structure nestled within lush greenery, with intricate details softened by Ruff's signature post-processing technique. The faded tones and subtle textures give the print a nostalgic, almost dreamlike atmosphere, as if viewing a distant memory. Ruff's choice of high-quality paper enhances the depth and delicacy of the composition, inviting viewers to reflect on the passage of time and the transient nature of place and memory.

Artwork Copyright © Thomas Ruff

Tripe 09, 2018

form

Medium

Edition

Inkjet on Rag Photographique Paper. Photograph printed by Grieger, Dusseldorf, on high quality Rag Photographique Paper. Hand signed and numbered by the artist on the back. Presented inside a black portfolio folder that includes texts by Thomas Ruff and Martin Barnes, Senior Curator of the photography department of the V&A Museum. - Image size: 38.3 x 30 cm. // Tripe 09 by Thomas Ruff, a 2018 inkjet print on Rag Photographique Paper, captures the essence of a historical landscape with an ethereal quality. The image presents an architectural structure nestled within lush greenery, with intricate details softened by Ruff's signature post-processing technique. The faded tones and subtle textures give the print a nostalgic, almost dreamlike atmosphere, as if viewing a distant memory. Ruff's choice of high-quality paper enhances the depth and delicacy of the composition, inviting viewers to reflect on the passage of time and the transient nature of place and memory.

Artwork Copyright © Thomas Ruff

Thomas Ruff

Eclipse, 2004

Limited Edition Print

Photograph

USD 2,550

Thomas Ruff

Q.i.C., 2021

Limited Edition Print

Mixed Media

EUR 1,200

Thomas Ruff

Tripe_12 (Seeringham, Munduppum Inside Gateway), 2018

Photography

Inkjet Print

GBP 1,500 - 2,000

Thomas Ruff

Substrat 21 III 2003/19, 2019

Limited Edition Print

C-Print

GBP 1,200 - 2,000

Thomas Ruff

Tripe 09, 2018

Photography

Inkjet Print

EUR 2,500 - 3,000

Thomas Ruff

Tripe_08 (Pugahm Myo. Thapinyu Pagoda), 2018

Limited Edition Print

Inkjet Print

GBP 1,500 - 2,000

Thomas Ruff

Sterne, 18h 12 M / -40°, 1990

Limited Edition Print

Lithograph

EUR 3,000

Thomas Ruff

Chiracs Battle, 1998

Photography

Photograph

EUR 950

Thomas Ruff

Zycles III, 2009

Photography

C-Print

EUR 9,400

Thomas Ruff

No Title, 2009

Limited Edition Print

Lithograph

EUR 1,900

Thomas Ruff

Nudes Ree07, 2001

Limited Edition Print

Inkjet Print

Currently Not Available

Thomas Ruff

Substrat, 2002-2003

Limited Edition Print

Digital Print On Paper

Currently Not Available

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What is the Dusseldorf school of photography?

The Düsseldorf School of Photography refers to a group of photographers who studied under Bernd and Hilla Becher at the Kunstakademie Düsseldorf during the 1970s. This group was known for its devotion to the black-and-white industrial images characteristic of the German tradition known as New Objectivity. The photographers focused on precise, methodical documentation of industrial structures, often using a detached and objective approach.

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