Sam Francis

Untitled, 1984

106.7 X 73 inch

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Sterne, 18h 12 m / -40°

Thomas Ruff's Tripe_08 (Pugahm Myo. Thapinyu Pagoda) inkjet print showing Thapinyu Pagoda in misty landscape with muted tones.

Edition of 50 - Inkjet on Rag Photographique Paper - Signed, dated and numbered on the reverse - In pristine condition - Presented in a portfolio with text by Thomas Ruff and Martin Barnes, Senior curator, Photographs, V&A // Thomas Ruff's Tripe_08 (Pugahm Myo. Thapinyu Pagoda) from 2018 captures a hauntingly beautiful image of the Thapinyu Pagoda in Pugahm Myo. This inkjet print, measuring 40 by 50 cm, is printed on Rag Photographique Paper, which enhances the ethereal quality of the composition. The pagoda appears to emerge from a misty landscape, surrounded by vegetation under a softly diffused sky, giving the image a timeless, almost ghostly presence. Ruff’s choice of muted tones and delicate details reflects his exploration of historical architecture through a contemporary lens, echoing the aesthetic of early photography. Limited to an edition of 50, each print is signed, dated, and numbered on the reverse, making it a contemplative tribute to both the beauty and mystery of ancient structures.

Artwork Copyright © Thomas Ruff

Tripe_08 (Pugahm Myo. Thapinyu Pagoda), 2018

form

Medium

Edition

Edition of 50 - Inkjet on Rag Photographique Paper - Signed, dated and numbered on the reverse - In pristine condition - Presented in a portfolio with text by Thomas Ruff and Martin Barnes, Senior curator, Photographs, V&A // Thomas Ruff's Tripe_08 (Pugahm Myo. Thapinyu Pagoda) from 2018 captures a hauntingly beautiful image of the Thapinyu Pagoda in Pugahm Myo. This inkjet print, measuring 40 by 50 cm, is printed on Rag Photographique Paper, which enhances the ethereal quality of the composition. The pagoda appears to emerge from a misty landscape, surrounded by vegetation under a softly diffused sky, giving the image a timeless, almost ghostly presence. Ruff’s choice of muted tones and delicate details reflects his exploration of historical architecture through a contemporary lens, echoing the aesthetic of early photography. Limited to an edition of 50, each print is signed, dated, and numbered on the reverse, making it a contemplative tribute to both the beauty and mystery of ancient structures.

Artwork Copyright © Thomas Ruff

Thomas Ruff

Eclipse, 2004

Limited Edition Print

Photograph

USD 2,550

Thomas Ruff

Q.i.C., 2021

Limited Edition Print

Mixed Media

EUR 1,200

Thomas Ruff

Tripe_12 (Seeringham, Munduppum Inside Gateway), 2018

Photography

Inkjet Print

GBP 1,500 - 2,000

Thomas Ruff

Substrat 21 III 2003/19, 2019

Limited Edition Print

C-Print

GBP 1,200 - 2,000

Thomas Ruff

Tripe 09, 2018

Photography

Inkjet Print

EUR 2,500 - 3,000

Thomas Ruff

Tripe_08 (Pugahm Myo. Thapinyu Pagoda), 2018

Limited Edition Print

Inkjet Print

GBP 1,500 - 2,000

Thomas Ruff

Sterne, 18h 12 M / -40°, 1990

Limited Edition Print

Lithograph

EUR 3,000

Thomas Ruff

Chiracs Battle, 1998

Photography

Photograph

EUR 950

Thomas Ruff

Zycles III, 2009

Photography

C-Print

EUR 9,400

Thomas Ruff

No Title, 2009

Limited Edition Print

Lithograph

EUR 1,900

Thomas Ruff

Nudes Ree07, 2001

Limited Edition Print

Inkjet Print

Currently Not Available

Thomas Ruff

Substrat, 2002-2003

Limited Edition Print

Digital Print On Paper

Currently Not Available

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What is appropriation?

Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.

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