
Details
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signed and numbered c-print, 30 x 40 cm. /11.8 x 15.7 inches, signed, titled, dated and numbered on the back, 2010 // Deutsche Stadtbaukunst by Thomas Struth is a C-print photograph capturing a quiet urban street scene, infused with a sense of nostalgia and realism. Created in 2010, this piece highlights the architectural aesthetics of a Japanese street, focusing on the intersection of traditional and modern elements in the urban environment. Struth’s monochromatic style accentuates the textures and contrasts of the street’s details, from the cluttered signage and electrical wires to the modestly scaled buildings. This image invites viewers to reflect on urban spaces and how they embody both cultural identity and the passage of time. Signed, dated, and numbered, the print’s limited edition of 30 reinforces its exclusivity.
Deutsche Stadtbaukunst, 2010
form
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30 x 40 cm
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- USD
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Details
Artist
Styles
signed and numbered c-print, 30 x 40 cm. /11.8 x 15.7 inches, signed, titled, dated and numbered on the back, 2010 // Deutsche Stadtbaukunst by Thomas Struth is a C-print photograph capturing a quiet urban street scene, infused with a sense of nostalgia and realism. Created in 2010, this piece highlights the architectural aesthetics of a Japanese street, focusing on the intersection of traditional and modern elements in the urban environment. Struth’s monochromatic style accentuates the textures and contrasts of the street’s details, from the cluttered signage and electrical wires to the modestly scaled buildings. This image invites viewers to reflect on urban spaces and how they embody both cultural identity and the passage of time. Signed, dated, and numbered, the print’s limited edition of 30 reinforces its exclusivity.
What is the Dusseldorf school of photography?
The Düsseldorf School of Photography refers to a group of photographers who studied under Bernd and Hilla Becher at the Kunstakademie Düsseldorf during the 1970s. This group was known for its devotion to the black-and-white industrial images characteristic of the German tradition known as New Objectivity. The photographers focused on precise, methodical documentation of industrial structures, often using a detached and objective approach.