![Tony Cragg Receiver II lithograph of satellite dish-like forms in monochromatic tones, exploring themes of technology and communication. Tony Cragg Receiver II lithograph of satellite dish-like forms in monochromatic tones, exploring themes of technology and communication.](https://media.composition.gallery/artworkpic/Tony-CRAGG-Receiver-II-Lithograph-available-for-sale-on-www1524218657_500x392.jpg)
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// Receiver II by Tony Cragg, created in 2002, is a limited edition lithograph that showcases the artist’s exploration of industrial forms and scientific imagery. Rendered in deep, monochromatic tones, the print depicts a complex arrangement resembling satellite dishes or receivers, evoking themes of communication and connectivity. Cragg’s use of texture and shadow adds a sense of weight and dimensionality, transforming the object into a sculptural form on paper. This lithograph, with an edition size of 40, reflects Cragg’s interest in the intersection of nature, technology, and the structures that bridge them. Measuring 50 cm by 63 cm, Receiver II invites viewers to reflect on the role of technology in shaping our perception and interaction with the world.
Receiver II, 2002
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50 x 63 cm
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Details
Artist
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// Receiver II by Tony Cragg, created in 2002, is a limited edition lithograph that showcases the artist’s exploration of industrial forms and scientific imagery. Rendered in deep, monochromatic tones, the print depicts a complex arrangement resembling satellite dishes or receivers, evoking themes of communication and connectivity. Cragg’s use of texture and shadow adds a sense of weight and dimensionality, transforming the object into a sculptural form on paper. This lithograph, with an edition size of 40, reflects Cragg’s interest in the intersection of nature, technology, and the structures that bridge them. Measuring 50 cm by 63 cm, Receiver II invites viewers to reflect on the role of technology in shaping our perception and interaction with the world.
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What is new British Sculpture?
New British Sculpture is the name referring to the work produced by a group of sculptors, installation artists, and other creators who exhibited together in London during the 1980s. This group included artists like Richard Deacon, Richard Wentworth, and Tony Cragg. Tim Woods helped define this movement by identifying four major themes: the blending of kitsch and pop culture, the use of UK urban waste in a bricolage style, the assignment of new meanings to everyday objects, and a playful approach using wit and humor.