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Offset lithograph on thin white wove paper - Signed by the artist in pencil, recto. // Tracey Emin's If I Could Just Go Back & Start Again is an offset lithograph from 2005, printed on thin white wove paper. The work depicts a solitary, nude female figure, rendered with sparse and delicate lines that convey a sense of vulnerability and introspection. The minimalism of the drawing, combined with the raw, unfinished quality of the lines, emphasizes the fragility of the figure, evoking themes of regret, memory, and longing. Emin’s emotional depth shines through in this simple yet powerful composition, reflecting her exploration of personal experiences and complex emotions. The artwork is signed by Emin in pencil on the front, as part of an edition of 1,000.
If I Could Just Go Back & Start Again, 2005
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59 x 84 cm
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Details
Artist
Styles
Offset lithograph on thin white wove paper - Signed by the artist in pencil, recto. // Tracey Emin's If I Could Just Go Back & Start Again is an offset lithograph from 2005, printed on thin white wove paper. The work depicts a solitary, nude female figure, rendered with sparse and delicate lines that convey a sense of vulnerability and introspection. The minimalism of the drawing, combined with the raw, unfinished quality of the lines, emphasizes the fragility of the figure, evoking themes of regret, memory, and longing. Emin’s emotional depth shines through in this simple yet powerful composition, reflecting her exploration of personal experiences and complex emotions. The artwork is signed by Emin in pencil on the front, as part of an edition of 1,000.
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Tracey Emin
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Mixed Media
Currently Not Available
Who are the Young British Artists - YBA
Young British Artists (YBAs), also known as Britart or Brit artists, refers to a group of artists who began exhibiting together in London in 1988. Most of them graduated from the BA Fine Arts course at Goldsmiths in the late 1980s. The YBAs are known for their wild lifestyles, use of unconventional materials, and a combination of entrepreneurial and oppositional attitudes. They dominated the British art scene in the 1990s and gained significant media attention. Many of these artists were initially supported and collected by Charles Saatchi, a key figure in their rise to prominence.