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Screenprint in colours, on wove paper // Victor Vasarely's Album Meta: Seven Plates 2 from 1976 is a striking example of his optical art (Op Art) style. This limited edition screen-print features a hypnotic arrangement of geometric shapes, primarily squares and circles, blending in a gradient of cool blue tones. The design creates a dynamic optical illusion, with the shapes appearing to pulsate and shift in depth as the viewer engages with the piece. Vasarely expertly uses the interplay of light and shadow within the shapes to produce a three-dimensional effect on the flat surface, challenging the viewer's perception of space and movement. The composition feels almost fluid, despite its geometric rigidity, making it both mesmerizing and visually complex.
Album Meta: Seven Plates 2, 1976
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Medium
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115.8 x 72.1 cm
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Details
Artist
Styles
Screenprint in colours, on wove paper // Victor Vasarely's Album Meta: Seven Plates 2 from 1976 is a striking example of his optical art (Op Art) style. This limited edition screen-print features a hypnotic arrangement of geometric shapes, primarily squares and circles, blending in a gradient of cool blue tones. The design creates a dynamic optical illusion, with the shapes appearing to pulsate and shift in depth as the viewer engages with the piece. Vasarely expertly uses the interplay of light and shadow within the shapes to produce a three-dimensional effect on the flat surface, challenging the viewer's perception of space and movement. The composition feels almost fluid, despite its geometric rigidity, making it both mesmerizing and visually complex.
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What is late modernism?
Late Modernism refers to the continuation and evolution of Modernist principles in art, architecture, and literature from the mid-20th century into the late 20th century. This movement maintains a focus on form, abstraction, and the rejection of traditional styles, but it often incorporates more complexity and ambiguity compared to early Modernism. Late Modernism explores themes such as alienation, identity, and the fragmentation of reality, reflecting the social and cultural shifts of the post-war period. It is seen in the works of architects like Louis Kahn and artists like Francis Bacon, who pushed the boundaries of Modernism while responding to the changing world around them.