



Details
Artist
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Lahumiere, Paris dry stamp in the lower right hand corner of the paper. // Victor Vasarely's 'Boytar' (1984) exemplifies the artist's mastery of optical art, creating a mesmerizing visual experience with geometric patterns and vibrant shades of blue and purple. This silkscreen composition presents a spherical illusion that appears to float and pulsate within a grid of circular shapes, drawing the viewer's eye into its hypnotic depth. The meticulous arrangement of colors and shapes generates a three-dimensional effect on a flat surface, showcasing Vasarely’s skill in manipulating perception. Printed in a limited edition of 250, this work is hand-signed by the artist in the lower right corner, with the edition number marked in the lower left. It also features the Lahumiere, Paris dry stamp, confirming its authenticity and connection to Vasarely's significant contributions to the Op Art movement.
Boytar, 1984
form
Medium
Size
75 x 74 cm
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Details
Artist
Styles
Lahumiere, Paris dry stamp in the lower right hand corner of the paper. // Victor Vasarely's 'Boytar' (1984) exemplifies the artist's mastery of optical art, creating a mesmerizing visual experience with geometric patterns and vibrant shades of blue and purple. This silkscreen composition presents a spherical illusion that appears to float and pulsate within a grid of circular shapes, drawing the viewer's eye into its hypnotic depth. The meticulous arrangement of colors and shapes generates a three-dimensional effect on a flat surface, showcasing Vasarely’s skill in manipulating perception. Printed in a limited edition of 250, this work is hand-signed by the artist in the lower right corner, with the edition number marked in the lower left. It also features the Lahumiere, Paris dry stamp, confirming its authenticity and connection to Vasarely's significant contributions to the Op Art movement.
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What is kinetic art?
Kinetic art is an international movement that emerged in the 1920s and gained prominence in the 1960s, referring to art that involves both apparent and real motion. It encompasses any medium that includes movement, either relying on actual motion for its effect or being perceived as moving by the viewer. Early examples include canvas paintings designed to create optical illusions of movement. Today, kinetic art often refers to three-dimensional figures and sculptures, such as those operated by machines or those that move naturally. The movement covers a variety of styles and techniques that frequently overlap.