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Published by Denise Rene in 1968 and bears a publisher's dry stamp in the lower left hand corner of the image // Diago CF by Victor Vasarely, created in 1968, is a silkscreen print that exemplifies his Op Art style. The artwork consists of a grid of circles meticulously arranged in a diamond formation, creating a sense of movement and optical illusion. Vasarely's use of a monochromatic palette—shades of black, gray, and beige—enhances the three-dimensional effect, making the pattern appear as if it is expanding or contracting, depending on the viewer’s perspective. The precision in the arrangement of the shapes and the careful gradation of tones give the piece a dynamic and pulsating quality, drawing the viewer into its hypnotic rhythm. Published by Denise René, the print bears the publisher's dry stamp in the lower left corner, attesting to its authenticity. This work is a testament to Vasarely’s mastery in manipulating geometric forms to explore visual perception.
Diago CF, 1968
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68 x 68 cm
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Published by Denise Rene in 1968 and bears a publisher's dry stamp in the lower left hand corner of the image // Diago CF by Victor Vasarely, created in 1968, is a silkscreen print that exemplifies his Op Art style. The artwork consists of a grid of circles meticulously arranged in a diamond formation, creating a sense of movement and optical illusion. Vasarely's use of a monochromatic palette—shades of black, gray, and beige—enhances the three-dimensional effect, making the pattern appear as if it is expanding or contracting, depending on the viewer’s perspective. The precision in the arrangement of the shapes and the careful gradation of tones give the piece a dynamic and pulsating quality, drawing the viewer into its hypnotic rhythm. Published by Denise René, the print bears the publisher's dry stamp in the lower left corner, attesting to its authenticity. This work is a testament to Vasarely’s mastery in manipulating geometric forms to explore visual perception.
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What is kinetic art?
Kinetic art is an international movement that emerged in the 1920s and gained prominence in the 1960s, referring to art that involves both apparent and real motion. It encompasses any medium that includes movement, either relying on actual motion for its effect or being perceived as moving by the viewer. Early examples include canvas paintings designed to create optical illusions of movement. Today, kinetic art often refers to three-dimensional figures and sculptures, such as those operated by machines or those that move naturally. The movement covers a variety of styles and techniques that frequently overlap.