Sam Francis

Untitled, 1984

106.7 X 73 inch

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Victor Vasarely's Kaldor, 1980 silkscreen, depicts a vibrant, cube-like room with colored squares in green, red, yellow, and pink, optical depth illusion.

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// Kaldor by Victor Vasarely, created in 1980, is a captivating silkscreen print that exemplifies his iconic use of geometric shapes to manipulate spatial perception. This limited edition piece, produced in an edition of 250, portrays a three-dimensional cube-like space formed by a grid of brightly colored squares. Each wall, floor, and ceiling panel is composed of squares in varying shades of green, orange, yellow, pink, and red, converging toward a luminous focal point in the center of the back wall. This arrangement creates an optical illusion of depth, drawing the viewer’s gaze inward, as if peering into a vibrant, multi-dimensional chamber. Vasarely’s precise color choices and symmetrical design enhance the sense of movement and immersion, inviting viewers to explore the complex interplay between two-dimensional art and perceived three-dimensionality. Kaldor is a striking example of Vasarely’s mastery in Op Art, transforming flat surfaces into dynamic visual environments.

Artwork Copyright © Victor Vasarely

Victor Vasarely

Kaldor, 1980

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86.4 x 76.2   cm
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// Kaldor by Victor Vasarely, created in 1980, is a captivating silkscreen print that exemplifies his iconic use of geometric shapes to manipulate spatial perception. This limited edition piece, produced in an edition of 250, portrays a three-dimensional cube-like space formed by a grid of brightly colored squares. Each wall, floor, and ceiling panel is composed of squares in varying shades of green, orange, yellow, pink, and red, converging toward a luminous focal point in the center of the back wall. This arrangement creates an optical illusion of depth, drawing the viewer’s gaze inward, as if peering into a vibrant, multi-dimensional chamber. Vasarely’s precise color choices and symmetrical design enhance the sense of movement and immersion, inviting viewers to explore the complex interplay between two-dimensional art and perceived three-dimensionality. Kaldor is a striking example of Vasarely’s mastery in Op Art, transforming flat surfaces into dynamic visual environments.

Artwork Copyright © Victor Vasarely
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Victor Vasarely Skier screen print featuring a dynamic skier in orange and black against a striped blue gradient background.

Victor Vasarely

Skier, 1983

Limited Edition Print

Screen-print

EUR 1,690

Victor Vasarely, Attika 3, 1990, screen-print. Gradient hexagonal pattern transitioning from red to green, creating a three-dimensional illusion.

Victor Vasarely

Attika 3, 1990

Limited Edition Print

Screen-print

USD 1,250

Victor Vasarely, Terz Liten, screen print with a red, black, and white geometric grid creating a 3D sphere illusion.

Victor Vasarely

Terz Liten, 1978

Limited Edition Print

Screen-print

EUR 650

Victor Vasarely, HOLLD (Moire Tower), acrylic and silkscreen sculpture; transparent tower with moiré patterns creating optical illusion of waves and movement.

Victor Vasarely

HOLLD (Moire Tower), 1990

Sculpture / Object

Mixed Media

EUR 5,500

Victor Vasarely's Purple Long, 1977 silkscreen, two spherical honeycomb forms in purple and red on hexagonal background, optical depth illusion.

Victor Vasarely

Purple Long, 1977

Limited Edition Print

Silkscreen

USD 1,700

Victor Vasarely's Kaldor, 1980 silkscreen, depicts a vibrant, cube-like room with colored squares in green, red, yellow, and pink, optical depth illusion.

Victor Vasarely

Kaldor, 1980

Limited Edition Print

Silkscreen

USD 1,900

Victor Vasarely's Hang, 1979 silkscreen, central blue and red spherical form in grid pattern creating optical depth illusion, limited edition.

Victor Vasarely

Hang, 1979

Limited Edition Print

Silkscreen

USD 1,550

Victor Vasarely's Dauve, 1978 silkscreen, yellow and blue spherical form in concave grid, creating optical depth illusion, limited edition.

Victor Vasarely

Dauve, 1978

Limited Edition Print

Silkscreen

USD 1,550

Victor Vasarely's Vertigo, 1982 silkscreen, blue and white checkerboard pattern in diamond shape with central circle, creating optical illusion of movement, limited edition.

Victor Vasarely

Vertigo, 1982

Limited Edition Print

Silkscreen

USD 1,550

Victor Vasarely's Drawing I, 1950s, minimalist line drawing of geometric shapes in an angular composition on paper.

Victor Vasarely

Drawing I

Drawing / Watercolor

Mixed Media

EUR 4,500

Victor Vasarely's Zebra Ceramique, 1977, ceramic sculpture with black and white striped pattern forming two intertwined zebra heads.

Victor Vasarely

Zebra Ceramique, 1977

Sculpture / Object

Ceramic

EUR 1,600

Victor Vasarely's Blue Composition serigraph featuring blue grid with spherical illusion, shifting colors from blue to red and green.

Victor Vasarely

Blue Composition, c. 1980

Limited Edition Print

Serigraph

EUR 1,500

Victor Vasarely's Pink Composition serigraph with blue and pink circles in a warped grid, creating a three-dimensional optical illusion.

Victor Vasarely

Pink Composition, c. 1980

Limited Edition Print

Serigraph

EUR 1,500

Victor Vasarely's Sorbonne, 1973, silkscreen print with colorful geometric shapes on a brown grid; Op Art style with depth illusion.

Victor Vasarely

Sorbonne, 1973

Limited Edition Print

Silkscreen

USD 1,350

Victor Vasarely's Boytar, 1984 silkscreen, showing a spherical illusion in blue and purple hues within a grid of circular shapes

Victor Vasarely

Boytar, 1984

Limited Edition Print

Silkscreen

EUR 1,550

Victor Vasarely's The Juggler serigraph, green geometric figure on red and black checkered background, optical illusion style.

Victor Vasarely

The Juggler, 1977

Limited Edition Print

Serigraph

USD 1,150

Victor Vasarely, Lava, silkscreen. Vibrant 3D spheres and geometric grids in red, green, blue, and purple create an optical illusion.

Victor Vasarely

Lava, 1986

Limited Edition Print

Silkscreen

EUR 1,650

Victor Vasarely's Album Meta: Seven Plates 7, 1976, screenprint, features two geometric cubes, blue and purple, floating and reflecting each other against a black background.

Victor Vasarely

Album Meta: Seven Plates 7, 1976

Limited Edition Print

Screen-print

USD 3,850

Victor Vasarely's Album Meta: Seven Plates 5 screen-print with blue and purple geometric shapes creating an optical illusion, 1976.

Victor Vasarely

Album Meta: Seven Plates 5, 1976

Limited Edition Print

Screen-print

USD 3,850

Victor Vasarely's Album Meta: Seven Plates 2 screen-print with geometric blue squares and circles creating an optical illusion, 1976.

Victor Vasarely

Album Meta: Seven Plates 2, 1976

Limited Edition Print

Screen-print

USD 3,850

Victor Vasarely’s Album Meta: Seven Plates 4, screen print, features two spheres composed of colorful circles in gradients, creating a 3D optical illusion.

Victor Vasarely

Album Meta: Seven Plates 4, 1976

Limited Edition Print

Screen-print

USD 3,750

Victor Vasarely's Ohne Titel XLVI, screen-print; colorful geometric grid pattern with squares and diamonds on a dark purple background.

Victor Vasarely

Ohne Titel XLVI, 1973

Limited Edition Print

Screen-print

EUR 2,200

Victor Vasarely's Lum, 1982, lithograph with a dynamic grid pattern split diagonally, featuring blue-green and pink-orange color contrasts.

Victor Vasarely

Lum, 1982

Limited Edition Print

Lithograph

USD 1,250

Victor Vasarely's Omega V serigraph featuring an elliptical form of colorful, interlocking shapes creating a dynamic, 3D optical illusion.

Victor Vasarely

Omega V, 1979

Limited Edition Print

Serigraph

Inquire For Price

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What is late modernism?
Artwork by Roy Lichtenstein

What is late modernism?

Late Modernism refers to the continuation and evolution of Modernist principles in art, architecture, and literature from the mid-20th century into the late 20th century. This movement maintains a focus on form, abstraction, and the rejection of traditional styles, but it often incorporates more complexity and ambiguity compared to early Modernism. Late Modernism explores themes such as alienation, identity, and the fragmentation of reality, reflecting the social and cultural shifts of the post-war period. It is seen in the works of architects like Louis Kahn and artists like Francis Bacon, who pushed the boundaries of Modernism while responding to the changing world around them.

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