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Edition: Pesti Muhely, Budapest // Pleionne by Victor Vasarely is a 1990 acrylic sculpture that exemplifies his exploration of optical art, using geometric patterns to create visual illusions of movement and depth. This black-and-white piece features a complex arrangement of intersecting lines, grids, and circular shapes, which appear to shift and pulse as the viewer’s gaze moves across the composition. Vasarely’s meticulous design plays with perception, drawing viewers into a dynamic interaction with the artwork. The work's contrasting forms and structured patterns emphasize his mastery in blending abstraction with visual rhythm, challenging the viewer’s sense of space and form.
Pleionne, 1990
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46 x 40 X 6 cm
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Edition: Pesti Muhely, Budapest // Pleionne by Victor Vasarely is a 1990 acrylic sculpture that exemplifies his exploration of optical art, using geometric patterns to create visual illusions of movement and depth. This black-and-white piece features a complex arrangement of intersecting lines, grids, and circular shapes, which appear to shift and pulse as the viewer’s gaze moves across the composition. Vasarely’s meticulous design plays with perception, drawing viewers into a dynamic interaction with the artwork. The work's contrasting forms and structured patterns emphasize his mastery in blending abstraction with visual rhythm, challenging the viewer’s sense of space and form.
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What is kinetic art?
Kinetic art is an international movement that emerged in the 1920s and gained prominence in the 1960s, referring to art that involves both apparent and real motion. It encompasses any medium that includes movement, either relying on actual motion for its effect or being perceived as moving by the viewer. Early examples include canvas paintings designed to create optical illusions of movement. Today, kinetic art often refers to three-dimensional figures and sculptures, such as those operated by machines or those that move naturally. The movement covers a variety of styles and techniques that frequently overlap.
