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Publisher's blind stamp in the lower left corner // Semiha by Victor Vasarely is a silkscreen print from 1979, showcasing his expertise in Op Art and geometric abstraction. The work features two adjacent panels filled with hexagonal shapes that seem to warp and bend, creating a sense of three-dimensional depth and optical illusion. The use of bright colors—pink, blue, green, and red—juxtaposed against black and darker hues enhances the perception of movement and spatial transformation. Vasarely’s meticulous arrangement of shapes and colors causes the viewer’s eye to oscillate between the two halves of the composition, generating a dynamic visual experience. The publisher's blind stamp is visible in the lower left corner, attesting to the work's authenticity. This print exemplifies Vasarely’s ability to engage the viewer’s perception through the manipulation of color and form, characteristic of his Op Art movement legacy.
Semiha, 1979
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70 x 108.5 cm
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Artist
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Publisher's blind stamp in the lower left corner // Semiha by Victor Vasarely is a silkscreen print from 1979, showcasing his expertise in Op Art and geometric abstraction. The work features two adjacent panels filled with hexagonal shapes that seem to warp and bend, creating a sense of three-dimensional depth and optical illusion. The use of bright colors—pink, blue, green, and red—juxtaposed against black and darker hues enhances the perception of movement and spatial transformation. Vasarely’s meticulous arrangement of shapes and colors causes the viewer’s eye to oscillate between the two halves of the composition, generating a dynamic visual experience. The publisher's blind stamp is visible in the lower left corner, attesting to the work's authenticity. This print exemplifies Vasarely’s ability to engage the viewer’s perception through the manipulation of color and form, characteristic of his Op Art movement legacy.
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What is Hard Edge Art?
Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.
