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Publisher's blind stamp in the lower left corner // Semiha by Victor Vasarely is a silkscreen print from 1979, showcasing his expertise in Op Art and geometric abstraction. The work features two adjacent panels filled with hexagonal shapes that seem to warp and bend, creating a sense of three-dimensional depth and optical illusion. The use of bright colors—pink, blue, green, and red—juxtaposed against black and darker hues enhances the perception of movement and spatial transformation. Vasarely’s meticulous arrangement of shapes and colors causes the viewer’s eye to oscillate between the two halves of the composition, generating a dynamic visual experience. The publisher's blind stamp is visible in the lower left corner, attesting to the work's authenticity. This print exemplifies Vasarely’s ability to engage the viewer’s perception through the manipulation of color and form, characteristic of his Op Art movement legacy.
Semiha, 1979
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70 x 108.5 cm
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Details
Artist
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Publisher's blind stamp in the lower left corner // Semiha by Victor Vasarely is a silkscreen print from 1979, showcasing his expertise in Op Art and geometric abstraction. The work features two adjacent panels filled with hexagonal shapes that seem to warp and bend, creating a sense of three-dimensional depth and optical illusion. The use of bright colors—pink, blue, green, and red—juxtaposed against black and darker hues enhances the perception of movement and spatial transformation. Vasarely’s meticulous arrangement of shapes and colors causes the viewer’s eye to oscillate between the two halves of the composition, generating a dynamic visual experience. The publisher's blind stamp is visible in the lower left corner, attesting to the work's authenticity. This print exemplifies Vasarely’s ability to engage the viewer’s perception through the manipulation of color and form, characteristic of his Op Art movement legacy.
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What is abstract art?
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.